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  • Marvels and Monsters at the Asian Arts Initiative
  • Van Gogh Up Close at the Philadelphia Museum of Art
  • Big Easy redux – Happy Mardi Gras!
  • The Boss–from Cleveland to Philly
  • Maiza Hixson, curator at the DCCA, sings for us in this artblog radio clip



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  • Down the Shore with 'Cape to Gate' runner Steve Antczak
  • Students speak out after Villanova cancels workshop by gay performance artist

Title Magazine
  • Logan Grider, Recent Work
  • Further Thoughts on Charline von Heyl

One Review a Month
  • SHOW REVIEWED: Zefrey Throwell “Ocularpation: Wall Street” at Gasser-Grunet

Philly.com - Arts
  • Tony Braithwaite to helm Ambler's Act II Playhouse
  • Lead singers: Singers thrive at Academy of Vocal Arts

Smart Set
  • A Portrait of the Merchant as an Important Man
  • Zoning Out

Glasstire
  • Fun Facts About Ai Weiwei’s Circle of Animals, Coming to Houston’s Hermann Park in May
  • Fort Worth’s Home-Grown Vaquero-Sculpture-With-a-Pistol-Controversy Dies with a Whimper

April 2004 Archive

Where the money goes

Big Bang

Barnes, Barnes, Barnes in three places

Lost and found

Nothing begins

Rats!

Pentimenti of city walls

Bi-coastal curating and why we love London

HAPPY BIRTHDAY ARTBLOG!

Eat your fiber and love it

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  • stuart roberts on “Matisse; Radical Invention 1913-17″ at MoMA
  • stuart roberts on Van Gogh Up Close at the Philadelphia Museum of Art
  • Andrea Kirsh on Van Gogh Up Close at the Philadelphia Museum of Art
  • stuart roberts on Van Gogh Up Close at the Philadelphia Museum of Art
  • The future, face detection algorithms « Social Inattention on Interview: Adam Harvey and The Anti-Face
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