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Michael Jackson–the medium, the message, the art

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June 30, 2009   ·   17 Comments

I read this observation about Michael Jackson in Friday’s Times:

Michael Jackson will be remembered as a great and widely imitated mover. Other things about him will be remembered too, but it is amazing how many of them are apparent in his dancing. The sweet boy, the angry dissident and the weirdly glamorous star are all there; and so is the androgyne who gives off conflicting male/female signals in the course of a single number.–Alastair Macaulay

Michael Jackson as his dream self. Image from http://www.starpulse.com/news/index.php/2009/04/15/michael_jackson_auction_called_off

Michael Jackson as his dream self. Image from http://www.starpulse.com/news/index.php/2009/04/15/michael_jackson_auction_called_off

Not only did I think this was an interesting comment. But it also set me thinking. Never before had it occurred to me that a performer or a performance artist is the art, not just a creator of the art. Doh.

Michael Jackson, unfortunately, both got it and got it confused. He knew he was as important as his performance, that he was not just the medium but the message. Alas, however, he decided to improve on what was already excellent, reaching for some strange idea of perfection (the dude had too much money). Carving up his face, bleaching his skin–these are both expressions of self-loathing–and of creation. He makes Cher look like an Sunday painter in the plastic surgery department.

In some sense, every artist who reaches for the stars also seeks to create a perfect expression of themselves. And when the art is performance, the self is subsumed to whatever that performance requires. But Michael Jackson confused his spectacular performing abilities, his perfect dancing and singing and composing, with his face. In the continuation of the bell curve of wrong-headed body art, Jackson was at the extreme, the edge where Chris Burden put bullets through his body. I am puzzled at why this is accepted by anyone as OK.

This is not OK.

I wonder if Jackson’s many-layered new faces are more crazy or less crazy than Marina Abramovic. Does presence of a concept excuse cutting? Or maybe extreme pop reinvention and beauty are worthy concepts in and of themselves?

I am staking a very conservative position here. I can’t go for the cutting.

Maybe if I were a fan, a fan who thought a public figure was my personal friend, I would just embrace all this–after all, if you love the guy, you love him for his very wrong-headedness, accepting the transformation as part of the art and part of the act.

Not me. This wasn’t an act; this wasn’t art. This was desperation and insanity. If I were a fan sort of person, I think I’d fix my adoration on someone who liked themselves a little more.

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Readers Comments (17)

  1. Andrew Suggs says:

    I find it difficult to draw such distinctions between art and life. I believe that some of the most important statements come from a place of real sincerity and (perhaps “troubling”) experience. Have we not learned from the artists of the last mid-century who tried so hard to show us that art might be its most effective when tied to real bodies and actions and not isolated to pictures on white walls?

    If art’s goal is to complicate, to upset the status quo, to question norms (as I believe it does at its best), might we not consider some far-reaching pop gestures, even if they do not easily fall within art historical discourse, as radical aesthetic statements?

    I think that artists turn to “body art” often to make these statements because it is well suited for the cause. Obviously, involving real bodies in artistic practice breaks down the usual gaze of the viewer. There is someone looking back, and multiple subjectivities have to be considered in a way that is not apparent in plastic arts.

    For instance, let’s consider two body artists: Orlan and Amanda Lepore. While Orlan comes from an art background and augments her body-manipulative activities with artistic discourse and theoretical underpinnings, Lepore’s manipulation of her body is tied directly to her personal desires. It is sincere. Because of this, her activities make me think of gender boundaries and how bodies and their interactions lead to certain behaviors in ways that Orlan does not. Lepore has used hyperbole to highlight our culture’s troubling division of gendered bodies and actions not trough artistic metaphor or learned critique but through life experience.

    Michael Jackson confused distinctions: man/woman, black/white, adult/child. While you may not think his moves were always “appropriate,” they were always challenging. His life was queer. It upset our usual understanding of these dichotomies and challenged our pre-conceived notions about gender, race and age. To eschew his life as “insane” upholds traditional values in favor of challenges to those things (family, gender, racial “purity”). This seems too close to me to sexism, homophobia, and blind conservatism.

    I, for one, am not comfortable pointing fingers at Michael’s decisions, and certainly not calling his actions “not OK” or “desperate.” He fought, in his unique and unconventional way, a culture of intolerance and staid and troubling norms (or at least highlighted those problems and exposed them, sometimes through hyperbole). But how effective! How many people have had to confront these issues because of his pop stardom and have had to have serious discussions about these issues?

     
  2. libby says:

    Hi, Andrew, I totally agree with your first four paragraphs. And the post came out of my accepting that Michael Jackson’s self-transformation was part and parcel of his performance, and the excellence of his performance counts for me as art. At paragraph five we part ways, but less than you think. I have no trouble with the gender bending, race bending, adult/child bending. It is true that he was challenging. But you assume that I want to keep him from crossing lines. Not so. It’s that I don’t want him to cut himself. I am morally opposed to cutting except on medical grounds.

    I do think we are living at a time when there is a shift in the culture about surgery. Every night I turn on the tv news and hear that getting a face lift or some such other procedure is desirable behavior. Young people subject themselves to tattoos. Argh. I just had a conversation with a friend of mine who at the trans conference in Philadelphia felt like the doctors were selling, trying to talk people uncomfortable with their gender identity into transgender surgery with all the awful drugs and side-effects they bring.

    Surely Michael Jackson’s need to transform himself was powerful, and surely, some of the people at the trans conference have powerful needs to go through extreme surgery to be their true selves. But what about a society that is so rigid that a person feels he or she needs to be one or the other. So many people are somewhere in the middle, but really, are they all so in need to make a choice involving removing penises or building penis-oid shapes from vaginas? Why can’t we embrace them to be the gender queer people they are, and not push them to choose, unless they are miserable. In other words, people who are miserable should get surgery. And society should accept people who are somewhere between the genders. I think you mistake my position if you think I am upholding racial purity, or male or female gender identity tyranny.

    I don’t like to pull the mother card, but that’s exactly what I am going to do. I am actually going to say, you don’t get it because you are not someone’s mother (I apologize for this, but not all that much). Michael’s mother, I imagine, loved him no matter how he looked. She loved his spirit, his mind, his whole being. And I’m willing to bet she was disturbed by what he was doing to himself. It was destructive. Mothers don’t like to see their children either unhappy or hurt.

    If we can’t, as a society, say certain things are to be eschewed because they are physically harmful, then we have lost our way. For me this is about survival, not about racism, sexism, or homophobia. If Michael Jackson wants to be white, or a girl, or a homosexual, that’s his business. If you ask me, that’s his racism, sexism, or even his homophobia. Don’t transfer his self-loathing to me. I also think Amanda Lepore needed to do what a girl’s gotta do. They both did what they had to do. But I can’t stand the cutting. Ow. And I reject the notion that a pop star’s personal pain is justified by the serious discussions generated.

     
  3. Andrew Suggs says:

    Hi, Libby. I think you are right to say that we agree on many of these points. And while I didn’t mean to accuse you personally of homophobia, racism, or the like, the language of the post did upset me. I tend to sympathize with the mistreated, the misunderstood – and your post was far more accusatory or dismissive than sympathetic (or motivated by motherly affection). While I agree that Michael Jackson’s choices were probably motivated by mistreatment, alienation, and other sad impetuses, it might be better to try to understand those motivations than simply dismiss them/him as crazy.

    “Cutting,” or body manipulation seems to be the issue where we disagree, or at least think differently. Changing one’s physical countenance, even through surgery, shouldn’t be flatly considered “wrong.” What reasoning lies with this logic? Health is certainly a concern and might motivate one’s personal decision not to alter one’s body. But do we have the right to tell others (either directly or through our writing or speech) that they shouldn’t alter their bodies? After all, our bodies are the only things we really “own.”

    Aside from the health concern issue, the only reasons I can think of to dismiss plastic surgery or other body manipulation stem from religion (i.e. body as a temple/holder of the “soul”, God-given). Is the body really sacred? I think it could be argued it is the best palette on which to make societal statements because of its immediacy and directness. Our clothes (our second skins) are certainly used in this way. While “cutting” (tatooing, hair dying, piercing) may seem a jump from dressing to impress or challenge, is it really?

    I am truly interested to hear what you have to say about this. I just can’t muster up the reasoning for saying flat out that “cutting” is wrong. I think it can be expressive. It doesn’t seem Michael’s body manipulation is what caused his health decline, but rather drug abuse.

     
  4. libby says:

    I want to add a couple more things:
    If Michael Jackson had wanted to look like a freak, I don’t think I’d be as disturbed. But I think he wanted to look beautiful. To me, he looked like a freak. So I’d have to call this a failed art project. Clearly he himself was disappointed with the results, or he wouldn’t have continued tinkering.

    The other point is that I am not in general a fan, except in an extremely mild way. I don’t get all tied up with the identities of public people. Andrew, I gather from your artwork, which is about public idols of past musical eras, that you might either be a fan or are trying to understand the whole emotional construct of fandom. Are you yourself a fan? It’s a little unclear to me.

    Certainly, fandom is part and parcel of pop culture. While I love pop culture, from its music to its movies to its advertising images, I am a little disturbed by fandom, by the fixation of emotions onto someone who is too distant for a real relationship. For the most part, it seems harmless for society as a whole. I’m not so sure it’s healthy for the fan, however.

    While I may be uncomfortable with the extremity of some fans, while I may be uncomfortable with the extremity of Michael Jackson’s self-mutilation, I think they all have a right to those choices.

    All I was saying was, if I were going to be a fan, Michael Jackson, who I love to watch in action, would not be my choice, the object of my emotional fixation. But am I fascinated? You betcha. Or I wouldn’t be taking the time to write all this.

     
  5. libby says:

    Oh, we were writing simultaneously. So, again I mostly agree with you. And I did take an extreme position–what better way to get a discussion started? And so I suppose to some degree I need to backtrack. I want to quibble with your line : While “cutting” (tatooing, hair dying, piercing) may seem a jump from dressing to impress or challenge, is it really?

    Hair dying is not in the same category. It’s like dressing. It’s reversible and painless. Hair grows out.

    I think my lack of sympathy was more about really getting how uncomfortable Michael Jackson must have been with himself, and so not wanting to go there into that level of pain.

    I am admittedly very conservative on bodies and what we do with them. There’s a lot of physical stuff where I just can’t go. I don’t even like the idea of hiking to the top of Mt. Everest because of the danger. From that you can extrapolate to any number of activities that are life threatening. Where to draw the line. Clearly my line is quite protective. Hey, my grandmother was worse than me. She wouldn’t allow my mother to ride a bicycle for fear she would hurt herself. I’m the brave one in the crowd. I bicycled all over the city in crazy traffic. And I’ve been injured on the bike several times. So I don’t think it’s so much the body as a religious thing, but rather a valuing of the body for all it has to offer. And if you want to call religion my valuation of what I do regard as a gift from nature, I guess that’s ok. But I want to keep the soul out of it. To me it’s more about valuing each human being for who they are (including Michael Jackson, who wrote his inner pain so large upon his face).

    I love how people dress and do their hair in crazy ways. And I’ve softened a little on tattoos and piercings (hey my own ears are pierced, and I can assure you my mother freaked out–and she herself had pierced ears, although not of her own doing–she was given them as a baby, as was the custom in Eastern Europe at the time). I really think there’s an age difference here on what people are comfortable with (although I know lots of ladies who get face lifts, etc.; as I said, my own position is extremely conservative; but I would never take the choice away, and I admire how great other people look–I even feel jealous).

    And of course it is not the surgeries that seem to be the cause of death for Michael Jackson. It’s the drugs. And where do you stand on that? At what point do we cut off the OK on it? At the point of addiction? At the point of self-destruction? Or merely at the point of use? I ask these questions as a child of the ’60s when drugs were a given.

     
  6. Andrew Suggs says:

    My position on drugs is simple. They should be legal. Each person has to make her own decisions regarding personal safety. You may not want to climb Mt. Everest, but to those who do (and put their safety at risk): go for it.

    Fandom, you’re right, is certainly a strange interaction. But so is nearly all of our communication these days. You and I are typing from separate places now, for this discussion. Nearly all of our interactions these days are heavily mediated. I am, as you pointed out, fascinated by this kind of mediation (whether it comes in the form of media/pop culture, time lapse/memory, or technologies).

    Now I have to get back to work. Thanks for the rigorous discussion, Libby. RIP MJ.

     
  7. libby says:

    Thanks to you Andrew for pushing me to get clear!

    The mediation is weird and I have regular rebellions against the internet, esp. email and facebook, which seem bloodless (oh, funny choice of words, given the discussion) and shallow. I love your RIP salute! It really touched me!

     
  8. i enjoyed this discussion of michael jackson. i do side with andrew however mostly because i have deep empathy for michael jackson coming out of my longtime fandom. he was a troubled and flawed superstar and danced and sang across the sky for us. a global phenomen whose influence is equalled only by world leaders. i have been troubled by some of the commentary i have read over the past week or so. much of it seems meanspirited and coarse. that said i do understand the troubling facts that surrounded michael’s life, i just truly wish to understand and examine the totality of michael jackson’s experience on earth.
    when michael passed i posted this tribute to him on my blog here is the link: http://ice-station-zebra.blogspot.com/2009/06/i-be-there-acapella.html

     
  9. libby says:

    Hi, Anthony, I love that you are a Michael Jackson fan (In a way, I feel like I should have known this), and I love your salute to him with all the details and all the interweaving of different events.

    The man was extraordinarily gifted as a performer! It’s so sad that his personal life was so difficult, and so public (something I’m sure he did with an eye to the publicity at the same time that he must have cringed). Andrew wrote about Jackson as an artist, something which I buy. But I would like to separate the part of Jackson that was a great artist performing for an audience from the part of Jackson that was driven to do things for his own delectation that were not so great to put in front of the eyes of the world. I guess I don’t see that part as art. I see it as sad.

    You guys are both clearly more empathetic than I am.

     
  10. kirsten says:

    Its apparent to me that an overriding theme in Michael’s work is Metamorphosis.

    Very difficult to find decent critique of him as an artist however, so was glad to notice your discussion here. He has obviously used his own body as a form of art-making here, although I doubt if that was a conscious decision, as I agree that his motivations were more likely connected to his own desire to be comfortable with his appearance than an artistic expression.

    Anyway I wonder, if metamorphosis was an important theme to him, could we not look at his work, his character, an obsession with ‘remaining a boy’ or NOT morphing (through puberty) into an adult male, through this prism…and could we come to understanding of him at a more interesting and deeper level than simply a freak, an arrested boy, a (possible) hebephile, et al.

    http://www.youtube.com/watch?v=tB0o0WCnt-I

    Its interesting to revisit ‘Thriller’ at the end of his life. I think its clear that his destiny is already clear in retrospect, and that these themes were already an important part of his psyche. Unfortunately his control mechanisms and grip on reality were weak, perhaps he was too protected, too far removed from what we call ‘a real life’ to develop properly into a truly interesting artist.

    I wonder…I wonder what he could have become if he hadn’t retreated into the fantasy life of neverland, and if he had chosen to become a man and not remain a boy, what he could have become.

    But he didn’t. He retreated from us, himself and his art years ago, and that is indeed a true tradgedy.

     
  11. nic says:

    not to barge in – but it was all related. it had to be. in the world of michael jackson there was no room for mediocrity from your voice, to your moves, to your face. you work on it until its perfect – something drilled into those boys at a young age – and something that we could all see written all over Michael’s face. while it may have seemed a personal quest for facial perfection – it was his life as an artist and perfectionist that drove those decisions – which he, more than anybody would be judged by the world.

     
  12. van gogh cut off his ear…..michael cut off his nose…….

     
  13. libby says:

    But no one argues that Van Gogh cutting off his ear was part of his art! And yet I find myself agreeing with everyone at some level, here.

     
  14. roberta says:

    People do strange things in quest of perfection. As someone raised by a perfectionist father I understand how hard it is to reject the quest to be perfect — how perfectionism forms you and yet is a losing proposition. Perfectionism leads to frustration and often to behaviors that are self-abusive. I can’t condemn plastic surgery or other bodily changes but I agree that it is horrifying to to watch the results, as it was with Michael Jackson. I always felt sorry for him. He was great and he was a sorry mess all at the same time.

     
  15. Karmic says:

    Hello,
    I am afraid, I have to disagree with you! Michael Jackson stood for crossing and questioning the boundaries. Remember that society was built by we humans, a set of dominant humans who thought certain things were right! They said a man should be like this, a woman should be like this and hundred other things. There were some good things in it, but also some ugly dark things- for example the earlier notion where white society didn’t accept blacks as equals!

    Michael Jackson’s talent challenged those rules. His music and art reached beyond barriers and he earned the love of “white” fans and all coloured fans. Yes racism was something already in question at that point and hence Michael was applauded for crossing the boundaries.

    About his skin colour- well, he had vitiligo and he chose to go whiter in order to balance his skin tone. At the end of the day vitiligo was only to spread and make him an albino. He had to look presetable to the world and he chose to do the easiest thing. Imagine his vitiligo skin wearing brown make up so that he looked dark.- would have been all the more weirder. And I don’t think our skin deep society would have continued to look beyond Michael Jackson’s blotchy skin if he had decided to go public with his vitiligo. And wait a minute, why there is a market for tanning solutions? Why it is okay to tan your skin tone to browner shades but what Michael did was coming under scrutiny? It’s okay to go darker- because it’s cool and hip, but it’s not okay to go paler- because it’s giving up your black identity and wanting to be white.. (as if being white is some sacred thing!!!). Again let me remind here, Michael had a skin condition!

    His nose- well, in a country (here I am referring to the US of A) where most women go waxing to get rid of their natural body hair, where there are more pedicure/manicure salons than churches, Michael’s experiment with nose is criticized… Why why why? Breast enhancements are okay, slimming pills and gyms are okay, viagra is okay but Michael’s nose was not okay!!! I am sure there will be a time where plastic surgeries become as common as waxing and Michael will be quoted as an example in a positive light. What I mean to say is it’s all about society’s belief at a given point of time! Michael was surely ahead of it.

    About his sexuality- watch his “the way you make me feel” performances. He is the most passionate of performers. He is the sexiest man who can seduce any woman! Then, yes he comes across shy in interviews etc. But why does it matter to the media? Why a man can’t be shy and withdrawn to the outside world and yet be passionate to the core in his space (Michael Jackson’s cherished space was his performance stages)? Again the society wants ideal males in a certain way and anything different goes under the scrutiny!

    Last but not the least, his child molestation charges- Let me state it clear, he was acquitted. He was not guilty of anything. In western countries children have their own rooms and don’t sleep with the parents/elders. But I tell you in developing countries children sleep with their parents because they don’t have enough space in the house. Family bonds are more initmate in developing countries, divorces and less common, children stick to their families (I am not defending the system or criticizing the system in western countries, I am just stating the fact). The bonds are stronger there in a different fashion. Michael Jackson’s behaviour with kids was odd for the western society as it was beyond the comprehension of its viewpoint.

    Yes, human in general don’t accept anything that is beyond what we believe is true. We don’t respect the differences. We don’t dare to cross boundaries easily. Some people have it in them to do so and also preach the world so. Michael did it in some cases (he was successful in a cultural crossover) but failed in other instances- perhaps his plea was not strong enough to change the world.

    Nevertheless, Michael Jackson was a gift to the world of entertainment and that too a original, impeccable and precious one. And after that he was a kind and loving being who did a lot for sick kids and charity. I would remember him for that and the explanations for his media portrayed “eccentricity” I have given above are good enough for me. The whole reason I come up with explanations is that I see a pure heart in Michael’s heart that touches me beyond everything.

     
  16. Karmic says:

    I apologize for the spelling mistakes and typos!

     
  17. libby says:

    Yo, Karmic, we don’t mind the typos. You wrote what you had to write and were quite eloquent. I think however that for all the boundaries MJ crossed that were for some greater good, he crossed a couple that were not for his own good. If I thought that MJ loved himself, I would not be making these points. I think he didn’t. And some of the things that you are interpreting as race and gender breakthroughs look like their very opposite if you see him as self-hating. I have no desire to limit his self-realization as whatever degree of male/femaleness makes him happy, as whatever degree of skin tone makes him happy. And I have no desire to limit his influence on others vis a vis these two issues. He certainly did break down some barriers. What I do desire is for people to celebrate themselves and their differences without hurting themselves and without hating themselves.