Our features add context, depth and breadth to our reviews and make our community more connected to each other and to the art world.
We go to International Art Fairs and Biennials and cover important gallery and museum shows outside Philadelphia. We provide a platform for opinions in our Reader Advisor and essay features. We report on studio visits and public lectures by visiting artists. Our podcasts humanize art by introducing the voice of the artist. In 2014 we began commissioning original works by amazing Philadelphia comics artists. We are proud to support these artists! And we love providing a platform for their smart humor.
At 91, Lorrie Goulet’s dedication to the carver’s art is unwavering, even though she cannot wield the carver’s tools like she could as a young woman. Throughout a recent wide-ranging conversation I had with her at her home and studio in Chelsea, I was struck by Goulet’s deep commitment to the physical work of carving, its tools, techniques, and materials. Her eyes light up and her gestures become animated when talking about stone, its myriad types, colors, and textures. For Goulet, stone–her primary material–is alive, and each stone has its own personality. “I put my life with the stone’s life,” she told me, following up with “I don’t have many stones left.”Read More
Many submitted, but only 12 were selected as finalists for the Artblog/St. Claire 2016 New Art Writing Challenge! Keep your eye out for all of the winning articles–we’ll be publishing one a day starting soon. From the Colored Girls Museum to the Mormon Tabernacle, you’ll find something to love from these great Philly-centric pieces of writing.Read More
See, when the Art Commission finds fault with a proposal, the relationship between jury and design team becomes that of teacher to student. Desperate for the Commission’s approval (which is required to receive a building permit in Philadelphia), increasingly flustered groups of architects look for hyper-specific guidance from the Commissioners: what materials to pick instead of what they proposed; how many more trees to include on a plan–essentially, “if this is proposal is wrong, tell us how to make it right.”Read More
“Plume of Desire,” a series of black and white lithographs drawn in Los Angeles and Paris but printed at ITEM in Paris, is something of a children’s book for very, very bad children. More than 30 pieces, each 60 x 60 cm, filled the ITEM’s gallery in Paris. These prints are dark, beautiful, and hilarious and typical of the creator of Eraserhead and Lost Highway.Read More
But when an art piece grabs your attention it’s hard to ignore because it disrupts the languid comfortable homogeneity of my world and shows me something that doesn’t fit in; more specifically it actively refuses to fit in my world. That is how you know other worlds exist. This is how you get to those worlds. That is art at work.Read More
Nick Kripal was a generous, kind soul and an artist whose spirituality mixed with his medium, clay, in remarkable ways. A friend to many and inspirational mentor to his students, Nick will be missed by all of us.Read More
Art criticism should feel free to miss the point completely and wander off somewhere it doesn’t belong and sleep there on the couch for a couple of days promising it’s leaving this weekend but then why did it leave its toothbrush and bag here? How else is the conversation expanded?Read More