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Deb Krieger is back with a review of Grizzly Grizzly’s current two-person show, “Two Spiders,” featuring work by Jesse Harrod and Chris Bogia. On view through May 27th, “Two Spiders” explores queerness through a variety of media and in relation to a playful mix of bodily and cultural references.
Read MoreMichael visits Stanek Gallery to review People, Places & Things, the Old City fixture‘s first exhibit of photography. Comprised of works from the past 60 years by ten photographers, including several notable locals, this show is as engaging as it is stylistically varied. Be sure to catch it before it closes on March 26th!
Read MoreIn Part Two of our 2-part coverage of the new documentary, Imani gives her take on how Sara Driver’s film about Basquiat’s early years both fits and breaks the mold. Boom For Real: The Late Teenage Years of Jean-Michel Basquiat is now playing at Ritz at the Bourse. See Roberta’s review from last Friday for even more to chew on.
Read MoreKaterina Lanfranco, Artblog’s new NYC correspondent, visited The Studio Museum’s exhibit, “Firelei Báez: Joy Out of Fire,” on view at the New York Public Library’s Schomburg Center for Research in Black Culture May 1-November 24. Part of the Museum’s itinerant “inHarlem” programming, “Joy Out of Fire” thoughtfully pairs Baez’s expressive mural-scale paintings with historical ephemera from the library’s own archives.
Read MoreIn Part One of our 2-part coverage of the new documentary, Roberta gives a brief overview of the film and says it’s not a bio-pic but a history flick about an era in which Basquiat was a player who turns out to be major. The film opens today at Ritz at the Bourse. Stay tuned for Imani Roach’s review coming up soon!
Read MoreIt’s graduation season, and one thing we’re mighty proud of here at Artblog is being the first publication to cover many of our region’s newly-minted BFAs and MFAs. Here Naveena Vijayan visits the University of Delaware’s MFA thesis show, “Cadence,” on view through June 3rd at The Delaware Contemporary.
Read MoreJessica Rizzo attended the Lightbox Film Center’s recent retrospective of French filmmaker Philippe Garrel’s evocative body of work. Here she traces the arc of his career and recounts highlights from the month-long survey, which included a number of films rarely screened on this side of the Atlantic.
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