Shared memories of Star Wars and Buster Keaton serve as a lingua franca that crosses international and personal borders. Unlike art, which in so many ways aims at an elite audience and serves to differentiate the into-art group from other people, the love of movies unites us all. When Christian Marclay created The Clock, his 24-hour video cycle that mashes up movies by the minute, who did he have in mind as his audience? Only visual art lovers? Or everyone? Was he hoping his bouquet to the movies and to time would earn him a new audience, a crowd of ... More » »
I’m going to put three disparate items together — bear with me. It’s not that the two movies and book are comparable, they’re not. But each in its own way deals with some of core characteristics of youth — experimentation, loneliness, identity, and obsession with love, sex and death — and they all came across my radar very recently, so I’m packaging them as they came to me. James Franco’s Dangerous Book Four Boys and Lena Dunham’s Tiny Furniture are made by young artists. The Hunger Games is about youth, and of course, some other things as well. Tiny Furniture ... More » »
The 103 minutes of Pina rush by quickly, even for a non-dance aficionado. It's not just the 3D effects in Wim Wenders' tribute to the late dancer/choreographer Pina Bausch, although there are a couple 3D wows. What is captivating is the love. Love of the dancers for their late artistic director (who died in 2009, 5 days after being diagnosed with cancer); love of Wenders for his subject; and love of human beings by Pina, whose exquisitely choreographed dances telescope the joy, sorrow and need of one human for another ... More » »
If you missed them on the big screen like I did, you can still see these two recent art movies on DVD — from Netflix or from your library. Cave of Forgotten Dreams I heard the interview with Werner Herzog, director of Cave of Forgotten Dreams, on Fresh Air and it sounded like a fantastic documentary. The filmmaker and his crew get special access to the Chauvet Cave in Southern France, with wall drawings made some 32,000 years ago, that were just discovered in 1994. Herzog’s movie, shot in 3D, has lots of fantastic footage of the cave paintings and ... More » »
In 1995 Robert Cringeley, a tech expert and writer who once worked for Steve Jobs interviewed the Apple-co-founder and other Silicon Valley pioneers for a PBS miniseries, Triumph of the Nerds. He spent more than 60 minutes with Jobs, who at that time was ten years out from his wrenching ouster from Apple. But less than ten minutes of the wide-ranging and provocative interview made it into the PBS show. That ten minute clip is considered one of the best TV interviews Jobs ever gave. The master tapes for the other 59 minutes went missing until recently and now, dusted ... More » »
by Dennis D’Alesandro Upstairs in a large, fancy chamber of the storied Mutter Museum, the sold out crowd eagerly buzzed in anticipation of the world premier of the Quay Brothers‘ latest film, titled Through the Weeping Glass: On the Consolations of Life Everlasting (Limbos and Afterbreezes in the Mutter Museum). Billed as the greatest coupling of subject matter and filmmaker that has ever been proposed in the history of art, surely the Quay’s dark-macabre style would present the strange and gruesome collections of the museum in a perfect mysterious pitch!
We’ve all seen the message embedded in the roadways of Center City, usually in crosswalks. I actually saw one embedded in the left lane of the westbound 676 ramp to the Schuylkill expressway! I was stuck in bumper to bumper traffic and there it was just a half a car length ahead of me. How on earth did it get there? How do they all get there? What does it mean? Who’s doing it?
Films about artists tend to focus on the unruly details of their lives, which is no great surprise, since showing them painting is about as interesting as … well, you know the old saw about watching paint dry. The Mill and the Cross is a rare film about an artist that includes neither angst, intrigue, nor sexual dalliance, although the Spanish soldiers who occupied Flanders d uring Bruegel’s day provide some rather explicit violence.
Beaten almost to death by thugs in 2000 and left with permanent brain damage, Mark Hogancamp’s post-recovery story, told in the new documentary movie Marwencol, is a survivor’s tale in which art plays a pivotal role. The movie is a great, empathetic look at the microcosm of Hogancamp’s life. He’s an odd duck to be sure, but very talented, and, miraculously, a survivor.
email from phil: you gals ever do film reviews? saw “exit through the gift shop” at the ritz the other night. i haven’t seen such a bummer movie since requiem for a dream! if you get a chance go see that one with love,