On the whole, we found the Armory Show contemporary pier (Pier 94) to be a disappointing mix. It felt like a cloud of low energy had descended and sucked the life out of the fair. Much of the sculpture and painting we saw seemed uninteresting–at least it didn’t interest us. Mostly photographs and video held our interest. Ivan Navarro’s light fence — which was so bright it might have been there to prevent the onset of SADs in the viewers — was no help. Ten minutes spent near its fluorescent rays contributed to our depression as we wandered around.
Duke Riley, a drawing from his installation After the Battle of Brooklyn. After seeing Kara Walker show at the Whitney Thursday, one of our goals of Saturday’s Chelsea run-around included seeing her work at Sikkema Jenkins. But we saw lots more,, and an awful lot of it had historical and political thoughts in it. Riley’s submarine, modeled after drawings for such a vehicle from the pre-sub era. Roberta is checking out the insides, which, much to her surprise, had some beer cans strewn about. Duke Riley at Magnan Projects was spectacular. Riley, if you remember, is a guy who has ... More » »