Matthew writes about the wonderful “art show” you see in the underground walkways and along the platforms of the Paris Metro, with large scale posters from Paris’s 130 museums plastered throughout and making the experience a kind of art history lesson on the move.
Read MoreSpurred by seeing a recent ad in which artist Maurizio Cattelan appears, Matthew Rose reflects on the relationship between artists and advertising. He asks, why haven’t more artists appeared in or contributed to major advertising campaigns?
Read MoreAnd perhaps this last is one of the most significant points the exhibition makes: despite an international interest in the commercial vernacular and the visual impact of the media, the works in the exhibition can only be truly understood within the cultures that produced them. This leaves serious viewers with the realization that the information in many of the introductory labels is insufficient background for a real understanding of the art and how it functioned in its native territory.
Read MoreAndrea calls the just-opened Leger show at the PMA a fascinating and dynamic exhibition that captures perfectly the early 20th Century optimism about cities and industry.
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