Alexander Arrechea’s installation, Orange Tree, occupied Crane Arts‘ huge Icebox as well as the Grey Box leading to it from Jan. 21-Feb. 21, 2010, and it definitely held its ground within that vast space. Arrechea’s work, combining suggestions of menace and the high-tech production values of the latest Hollywood movie, rose to the challenge of the monumental scale. On entering the darkened Grey Box visitors were confronted with Black Sun (2009), a silent video projection of a swinging wrecking ball that marked time in the exhibition like a destructive pendulum.