News Fleisher Art Memorial @ the White House Student Zulmarie Nazario, 16, attended a ceremony on November 2 at the White House where she received the National Arts and Humanities Youth Program Award from First Lady Michelle Obama on behalf of the Fleisher Art Memorial. The prestigious award is for Fleisher’s work to develop learning and life skills in young people through the arts and creative experience. Nazario is one of many students who participate in Fleisher’s after school program in which a number of activities help young people explore their artistic and creative abilities.
News Comedy Night @ PhilaMOCA This Saturday, October 1, at 7:00 PM, PhilaMOCA will be the site of I LOVE MITCH HEDBERG: Art for the Late Great Comedian. A number of comedy acts (including comedy by Andrew Jeffrey Wright), refreshments, and artwork are on tap. Special guest Lynn Shawcroft will screen a video of unreleased Mitch Hedberg comedy footage.
At this moment when photos of Egyptian protests remind us all of the documentary power of photographs, along comes a show that reminds us that even reportage photographs can have a sort of truthiness. In the exhibit Off Camera at Fleisher/Ollman, self-invention and inner projections rule in the mostly small works by 17 artists.
Every once in a while there’s a teacher who is more than a teacher, someone who influences students in unpredictable and fantastic ways.
Art Gallery at City Hall The new 700 square ft. Art Gallery at City Hall — with high ceilings, fixed walls, and lots of natural light – brings art into the seat of power like never before. The brainchild of Gary Steuer, head of the Office of Arts, Culture and the Creative Economy, Art Gallery at City Hall lives at street level in Steuer’s new offices (near the Tourism office). The gallery’s mission is to help arts organizations with their programs, thus “On the Rise” which opens tomorrow, has work by 12 artists from three non-profits – inLiquid, Center for Emerging ... More » »
The only image I’ve ever seen of a woman shaving her armpits is in an ad or commercial for shaving products. But Jennifer Levonian’s stop-action animation Her Slip is Showing begins with just that. It’s a dead-on metaphor of a woman trying to make herself acceptable and beat back her natural self as she dresses for a childhood friend’s wedding shower.
After 18 years of handing out the biggest regional prize in the arts, Pew Fellowships in the Arts has changed its m-o. Well, they’re still handing out prizes– the coveted 12 grants of $60,000. But the process is changing in 2010 in two significant ways. First, and probably most importantly, Pew has switched from an open call for applications to a MacArthur genius grant secret nominating process. Second, there’s no longer a 4-year rotation of categories with painting one year, sculpture another, etc. etc. Now, it’s open season for all categories every year. This came as a surprise to us ... More » »
Thanks to our video guru, artiste extraordinaire David Kessler for this magical trip (if we do say so ourselves) through Joshua Mosley‘s and Anthony Campuzano‘s shows at ICA and through the micro-film sets of the Quay Brothers at Rosenwald-Wolf Gallery. You can see these shows at ICA until March 29; and at Rosenwald-Wolf until April 9. See previous videos in this series on our video page (link above in the nav bar).
This week’s Weekly has my review of Joshua Mosley and Anthony Campuzano’s shows at ICA. Below is my copy with pictures. Joshua Mosley‘s “dread” and Anthony Campuzano‘s “touch sensitive,” in ICA‘s upstairs galleries, are sophisticated narrative disquisitions on the world and mankind’s place in it. The pieces are in other respects nothing alike.
Howard FinsterDrawing for PC, 1981colored pencil and ink on paper A marvel of a drawing Howard Finster made for Philadelphia College of Art (now University of the Arts) graces the entrance of the exhibit Drawing in the World at the Rosenwald-Wolf Gallery at UArts. The drawing made in 1981 for an outsider art exhibit in the same gallery — organized by Elsa Weiner (Elsa Longhauser) — stopped us in our tracks. Our eyes traced the banners of names of artists animating the surface; we admired the way Finster used Martin Ramirez-like arcs of lines to define and fill space; we ... More » »
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