Dereck Stafford Mangus shares his thoughts on current trends in urban development and the connection with Brutalism and Legos.
Read MoreOn this 39 minute episode of Artblog Radio, Roberta interviews Sid Sachs about his multi-venue exhibition “Invisible City” (now closed to the public due to Covid-19).
Read MoreAt 91, Lorrie Goulet’s dedication to the carver’s art is unwavering, even though she cannot wield the carver’s tools like she could as a young woman. Throughout a recent wide-ranging conversation I had with her at her home and studio in Chelsea, I was struck by Goulet’s deep commitment to the physical work of carving, its tools, techniques, and materials. Her eyes light up and her gestures become animated when talking about stone, its myriad types, colors, and textures. For Goulet, stone–her primary material–is alive, and each stone has its own personality. “I put my life with the stone’s life,” she told me, following up with “I don’t have many stones left.”
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