Possible Cities; Africa in Photography and Video at Haverford College’s Cantor Fitzgerald Gallery through April 29, 2011 was organized by Ruti Talmor, Mellon Postdoctoral fellow, around two considerations: that contemporary Africa is largely urban, and that the work should counter the fact that most images that circulate internationally represent the continent either as a vast nature preserve or as overwhelmed with poverty, health crises and political and social conflicts. No one who has seen international exhibitions during the past decade is likely to have such a narrow view (nor would viewers of The Global Africa Project, currently at the Museum of Arts ... More » »
In connection with the Exhibition, Possible Cities; Africa in photography and video at Haverford College’s Cantor Fitzgerald Gallery March 18 – April 29, 2011, a symposium, Imaging Africa will be held on Saturday, March 19, 10:45am-3:15 pm. bringing together leading curators, filmmakers, critics, and scholars to discuss the current status of African visual culture. The exhibition aims to challenge representation of Africa as either traditional utopia or postcolonial distopia, offering a more complicated picture of African cosmopolitanism.
By Dennis D’Alesandro Sex Drive is a thoughtfully curated 22-person group show that coincides with the humanities seminar “Sex, State and Society in the Early Modern World.” The show brings together a diverse array of sex-infused artworks that deal with all manner of relevant sexual themes, including fetish, fantasy, infatuation, sin, gender persuasion, public scandal, romance, and the role of political and religious conventions.
I’d met Beauvais Lyons and been aware of his work before I met my friend, Barbara, in the garden opposite the Museum of the American Philosophical Society (APS) where Lyons had set up his display last week (on through tomorrow). Most of those who stopped by, however, had no reason to know this wasn’t another educational display within Independence National Historical Park.
Beautiful Human at Haverford College‘s Cantor Fitzgerald Gallery is a small show with big thoughts that burble and pop as the works by five artists hold a conversation with each other about identity and imagination. The show’s points of view zoom from imaginative self-identificaton to masks and costumes as tribal and cultural signifiers to the tyranny of the genetic code. And those are just the starting points.