In this guest essay by Chris Funkhouser, the writer tells us of Theodore A. Harris’s ‘Road to Damascus’ encounter with a commissioned painted copy of a 1662 Rembrandt work, “The Sampling Officials of the Amsterdam Draper’s Guild” at The Curtis Institute. Harris had been working on a series called “Thesentür/The Thinker.”
Read MoreAlex Smith reviews Black Quantum Futurism’s exhibition at Center for Emerging Visual Artists, All Time is Local, closing May 31, 2019.
Read MoreIn this sponsored post, The Center for Emerging Visual Arts tells us about their 18th annual Philadelphia Open Studio Tours (POST) taking place this October while highlighting the work of artist Damini Celebre.
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