Tag Archive "drawing"

3_olclock_singing_leona

The 3:00 Book

Print

Both/And Richard Tuttle Print and Cloth at the Fabric Workshop and Museum

[Andrea explores the depth of artist Richard Tuttle’s work, which currently sprawls across several floors of the Fabric Workshop and Museum, but manages to stay restrained. — the artblog editors] Richard Tuttle is a magician whose work speaks modestly and softly about big ideas. He avoids emphasizing virtuosity of craftsmanship in order to demonstrate the unconventional possibilities he finds in the materials themselves. And Tuttle’s use of materials calls attention to what we, the viewers, might do with the same ordinary bits of wood, cardboard, cloth, string, ribbon, wire, or mesh–at least as much as it emphasizes what the artist ... More » »

Installation view

Destroy, she said — a group show at the Boiler in New York

[Andrea enjoys a few chuckles at a show that asks viewers to re-examine the value of objects and material experiences, and also asks artists to obliterate their work after showing it only once. — the artblog editors] Saul Anton and Ethan Spigland curated the provocative, lively, and thoughtful exhibition Destroy, she said, on view at the Boiler, in Brooklyn, March 5 – April 5, 2015, on behalf of Pierogi . It coincided with the establishment of an online archive, the “Foundation for Destroyed Art,” where according to the announcement, “works of art will exist only in their documented destruction and ... More » »

Artwork

Two books on Matisse and Picasso from the Museum of Modern Art

[Andrea praises two recent volumes detailing Matisse’s cut-out works, and 15 of Picasso’s early Cubist works, respectively, and enjoys the depth provided by the second book’s e-book format. — the artblog editors] Art historians working in museums, as opposed to those in academe, are always aware that the artworks they deal with are things–embodied, resulting from a series of decisions made by the artist, and subject to subsequent change. The literature on art, both academic and in museum catalogs, has not always acknowledged this physical reality, but fortunately it is becoming more common. Two recent publications from the Museum of ... More » »

Peter Blume "The Rock"  1945-48, o/c Art \institute of  Chicago.

Peter Blume at the Pennsylvania Academy of the Fine Arts

[Andrea lauds representational painter Peter Blume, whose finesse and imagination far outweigh his fame. — the artblog editors] Peter Blume: Nature and Metamorphosis, a large and well-conceived survey of the artist’s career, is at the Pennsylvania Academy of the Fine Arts (PAFA) through April 5. If the artist’s name is familiar, it’s likely you’ve spent time at the Art Institute of Chicago (AIC), where you’ve seen “The Rock” (1945-48). It is the only work of Blume’s I’ve seen on any museum wall until now, and it’s a showstopper. A group of figures are rebuilding within a post-apocalyptic landscape, dominated by a huge, ... More » »

lechaman

Inorganic chemistry — sexual synthesis at M+B Gallery

[Nate visits a show juxtaposing the at-the-time groundbreaking work of Pierre Molinier with new drawings by contemporary artist Aurel Schmidt. — the artblog editors] In major American cities such as Los Angeles and New York, assertions of sexual identity are no longer the risky phenomena they once were. President Obama’s recent announcement of June as LGBTQIA Pride Month–a gesture of support on behalf of the federal government–attests to the changing climate of a country that has for so long ignored the very real, very serious lives of its queer citizens. This change must be taken into account when examining the ... More » »

John McLaughlin, Untitled (1941) at Franklin Parrasch Gallery.

Art Basel Miami Beach, 2013

(Andrea strolls the 2013 Art Basel Miami Beach art fair, and offers her picks from both new and familiar artists. — the artblog editors) Each year, friends ask about my response to Art Basel Miami Beach (ABMB), and I reply that someone might be able to attend a fair for three and a half hours and offer an opinion, but I’m not that someone. I attend fairs to see what I can learn, preferably to see interesting work by artists I didn’t know, or new aspects of artists whose work I’ve seen before. Another wonderful Picasso drawing, such as the ... More » »

Alphabet Book, gloss paper/accordion binding. Each “page” is made up of letters cut out from magazines, in alphabetical order.

Reimagining lines – Ruth Scott Blackson’s woven, drawn, and manufactured pieces

The simplest ideas are often the strongest, Ruth Scott Blackson says of her artistic approach. And several works in her exhibition Line After Line, up now at 110 Church Gallery, show just how rich the results of a humble inspiration can be. Some of Blackson’s drawings, weavings, collages and objects resemble the complex Op art of Philadelphia’s Edna Andrade, while others have the labor-intensive heft of a Vija Celmins  piece, but Blackson’s works possess a playful spirit that is all her own, and which may come from her background in performance and video art. A bookbinder by trade, Blackson has recently begun to move away from ... More » »

Kate Gilmore, "Sudden as a Massacre". Video still.

Three from New York – Pablo Helguera’s Libreria Donceles at Kent Fine Arts and Pataphysics and From Memory at Sean Kelly

(Andrea visits two galleries in New York, sees three excellent shows, and buys something. –the artblog editors) Entering Kent Fine Arts these days is disorienting, because beyond the building entryway, elevator, and usual gallery door is a perfectly-realized, functional, used book store: metal shelves full of books, an occasional easy chair, recommended titles arrayed on a table, and a separate section for children. The only thing missing is the dust that usually characterizes such places. It’s the only store in N.Y.C. devoted to second-hand, Spanish-language books, despite the fact that a quarter of the city speaks Spanish. E-publishing hasn’t fostered ... More » »

Barbara Chase-Riboud ‘Malcolm X #3’ (1969) polished bronze, rayon, and cotton, 118 x 47 1/4 x 9 7/8 in, PMA

Barbara Chase-Riboud’s Bronze Steles and Paper Monuments at the Philadelphia Museum of Art

(Andrea reviews a show of drawings and monumental sculptures in bronze and other materials by Barbara Chase-Riboud and finds them filled with historical, art historical and cultural references from across cultures and through time.–theartblog editors) In the Philadelphia Museum of Art’s (PMA ) stunning installation, each of Barbara Chase-Riboud’s five works from the series she dedicated to Malcolm X, stands in its own niche. She calls them steles, a term for upright, stone monuments inscribed with text, and a form that has survived from various ancient civilizations. Chase-Riboud’s steles are mysterious and imposing. Lit candles on the floor before them ... More » »

Next Page »