Religion distorted late twentieth century New York culture. For instance, I hosted a dinner party, and among the guests were the poet, priest and political activist, Daniel Berrigan, and the literary agent and retired epistemologist, John Brockman. John spoke nary a word. Afterwards I asked him about it, and he confessed: “I can’t help it. Maybe it’s growing up in Boston. But I hate Irish priests.” I didn’t think it would help matters to explain that Dan is more German than Irish; John is Jewish.
Post by Andrea Kirsh [This is part 2 of a two-part post about public art. In this part, she reviews two books about successful New York public art programs--Creative Time and Arts for Transit. Here's part 1] MTA Arts for Transit Artemis, Acrobats, Divas and Dancers (2001), by Nancy Spero, 66th Street-Lincoln Center, 1 line. Commissioned and owned by Metropolitan Transportation Authority Arts for Transit. Photo: Rob Wilson. “Along the Way; MTA Arts for Transit” by Sandra Bloodworth and William Ayres (Monacelli Press, ISBN 1-58093-173-1) includes an eight page history of art in New York’s subways since their inception, then ... More » »