News In the Media Iain Ball‘s show Pangea: Rare Earth Sculptures at Extra Extra is featured in this month’s issue of Art Papers. Joe Girandola‘s duct tape paintings look great in a Stylelist.com article. Zoe Strauss‘s photo-billboards appear in an editorial in the Philadelphia Daily News that compares them favorably to the city’s many murals. Amber Dorko Stopper is named Craft Editor at InCultureParent Magazine.
News Knight Arts Challenge Philadelphia names 55 finalists The Knight Foundation released the names of 55 finalists for its Knight Arts Challenge Philadelphia 2012. Finalists include artists, musicians, collectives, and community groups in the region. Winners are to be announced in the Spring.
On a fair weather First Friday, Old City bustles with galleries full of people and streets lined with craft vendors, musicians and performers. It’s positively festive. But every day across Philadelphia, artist-run collectives present a different art scene that in many ways is more exciting. In the last five years, Little Berlin, Extra Extra and other artist-run spaces have sprouted up in neighborhoods such as Kensington and Chinatown, where rents are cheap and raw spaces lend themselves to edgy experimental art. This is a gritty scene run by young people who want to do it themselves. The artists know each other and ... More » »
The triumvirate who run Extra Extra aim their exhibitions at fellow artists. For the gallery’s team of Derek Frech, Joe Lacina and Daniel Wallace, success is not defined by sales. Rather, it’s defined by ideas, the conversation and the buzz the exhibit generates in Philadelphia’s alternative art community. They want to get people thinking, and they themselves do a lot of thinking. Here’s what they had to say. [Audio clip: view full post to listen] Right click to download Extra Extra 54-second sample
April Fool’s jokes aside, the installation Common Place, which opened on April 1 at Extra Extra, is as thoughtful as it is playful. It’s an ambitious experiment in the social and the private, as well as the natural and the synthetic. It is the joint brainchild of three artists: Beth Brandon, Samantha Margherita, and Luren Jenison, who came together after noting similar themes in each others’ work.
First Friday started early for me at a meeting convened by Brooklyn’s Bruce High Quality Foundation. The group of artists — which founded its own university — is on a cross-country tour in conjunction with Creative Time, to take the pulse of the nation’s art education system. But instead of having an agenda of their own (that’s what I wanted to hear) they asked what the Philadelphians in attendance thought about art education. As people went around the room and introduced themselves and then spoke about their relationship to the institutions of art education (BFAs, MFAs, those with none of those ... More » »
The ladies are taking over Extra Extra this month, transforming the white-walled alternative space into a den of decor and comfort without, I’m guessing, a big-screen TV. “Common Place,” a collaborative sculptural installation by Beth Brandon, Luren Jenison and Samantha Margherita, is interactive. And it has to be, because any good lounge space has comfortable outcroppings on which to lean, sit or lie. But since this is also an art installation and not an IKEA showroom, there’s lots of stuff to look at, pick up and shake. The show’s theme is nature—specifically what role it plays in our increasingly domesticated lives. To prove ... More » »
Virtual Assistance is great, and a great rarity: political art that’s poetic and elliptical. Without being heavy-handed or preachy, the videos, photos, printouts and objects in the show deliver a story of successful human interaction in the face of globalization and a corporate-dictated power structure.
The Frankford Ave. art scene is thriving. It seems every week a new gallery or art space is opening there. It’s worth a trip! VWVOFFKA “Small Objects”, on view at VWVOFFKA is the collaborative body of sculpture, print and found objects by Linnea Vegh and Steven Streisguth. The show embodies the concept of collaboration on many levels. Point and counterpoint can be found formally, conceptually, and in the process of making. The collaborative spirit can also be seen in the way these artists specifically wanted Vwvoffka’s space for it’s inviting, homey appearance (it originally was meant to be a living ... More » »
Hundreds of shows open in Philadelphia this fall, far too many to include in this short roundup. Six shows caught my fancy, but they’re just the tip of the iceberg. Nowhere at Arcadia (Sept. 23-Nov. 7. arcadia.edu)
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