(Mellisa reviews a video installation focusing on the desire to collect and preserve objects d’art and cultural artifacts. — the artblog editors) Fiona Tan’s “Inventory,” now on view through March 23 at the Perelman Building of the Philadelphia Museum of Art, is a meditation on the visual archive as a way of preserving the world. An intriguing look at one man’s collection of objects, “Inventory” also raises issues about collections in general, especially cross-cultural collections, which are the basis for most of the world’s encyclopedic museums. Showcasing Soane’s collection The piece is made up of six video screens that play archival film footage ... More » »
Fiona Tan explores storytelling, memory, and the part they play in the formation of identity throughout this exhibition of five video installations, various associated sketches and one single-channel video. Rise and Fall (2009), elongated projections onto two large, side-by-side screens, is a wordless meditation, set to music, of a woman no longer young but still conscious of her looks; she was clearly a beauty in her youth.
I experienced Fiona Tan’s work over two days – not because it was an extended durational work but because her show, Coming Home, was being presented at both the Sherman Contemporary Art Foundation and the National Art School Gallery. The fact that the experience of the video works was a journey was the perfect mode of experiential presentation of a work that itself explores the idea of journey and its representation through time.