Tag Archive "joseph-kosuth"

The Afterlife of Things: Virgil Marti’s “Set Pieces” at the ICA at Penn

The Institute of Contemporary Art (ICA) invited the artist, Virgil Marti, to create an exhibition from works in the store rooms of the Philadelphia Museum of Art (PMA), and Marti’s discoveries among the museum’s overflow, dis-attributed, unfashionable, and otherwise overlooked collections were a spur to his imagination. The objects in storage reminded Marti of the final scenes of Orson Welles’ Citizen Kane, with its panning shot of the endless, largely unopened crates of Kane’s accumulated treasures. In Set Pieces (at the ICA through Feb. 13, 2011), Marti gives previously-silent objects new lives in a sequence of tableaux sprung from his ... More » »

Letter from Paris: White On White

The white monochrome painting, once a joke –”cow in a snowstorm” – at other times a beacon heralding modernism (Malevich’s White on White, 1918) has carved out a serious place in the canon of aesthetics. Nearly every art movement over the last 150 years, if only a shake or a jitter, has paused long enough to produce an all-over, single-color performance. There are thousands of monochrome works dotting the history of art, pointing to a kind of serial of reduction-minded dramas. Stripped down, these works, bold in their simplicity, end up being complex philosophical constructions gesturing to a manifest aesthetic destiny.

A Celebration of the Visual Arts: Art Month Sydney

On a cool overcast March morning, I navigated the streets of the heavily residential Elizabeth Bay neighborhood to find Michael Reid’s gallery and talk to the owner about his role as co-creator (with Vasili Kaliman of Kaliman Gallery) of Art Month Sydney. The initiative, now in its first year, celebrates the visual arts in Sydney over the whole month of March, bringing together over 70 galleries, ARIs (Artist-Run Initiatives) and other organizations to host over 140 events. It is a feast, it is a celebration, it is an incredible force of art.

More Museum Studies; Artists as Docents

Rijksmuseum Amsterdam with banner for For the Love of God Damian Hirst, November – December, 2008 I arrived in Amsterdam on Dec. 14 on an overnight flight, took a nap and awoke to the suggestion from my friend, Barbara that we go to the Rijksmuseum for the last day of an exhibition. The work in question was For the Love of God, Damien Hirst’s diamond-encrusted skull along with a small room of paintings that Hirst selected from the museum’s collection.