Kristin Neville-Taylor co-founded Little Berlin with Martha Savery in 2007. Recently, she curated the show “Landscape Techne” at the alternative space. In this clip she talks about the large, sumptuous — and completely cyber-generated — landscape photographs by Alex McLeod that appeared in the show, which closed Nov. 27. Is beauty in art suspect these days, something to be feared? Listen to the entire episode next Monday. Kristin Neville-Taylor 28 second sample
Eteam’s “Prim Limit,” one of the pieces in the “Landscape Techne” exhibition at Little Berlin through November 27th, is a half-hour film that takes place in the “Second Life” virtual world, an online computer game that allows users to design their own avatar world.
It’s remarkable how much territory you can cover and art you can see in an afternoon, on foot, in Kensington. Here’s a sample of some offerings from my walk last Saturday afternoon. I started at Little Berlin, where Landscape Techne, the group show curated by LB member Kristen Neville, suggests that no matter how electronically-or technologically-sophisticated we are as a society, artists will always have a need to create landscape imagery of some sort.
I am sometimes impatient with video art. I complain about the seating (or lack thereof) the tiny screens, weird sounds conflicting as you move from one display to the next, but I am here to sing the joys of three shows where video is a pivotal element. This weekend is your last chance to see the shows at Little Berlin and Great and Terrible Collective, while the wonderful live!infili! at Rebekah Templeton has already finished. These shows include sculpture, drawing, animation, installation, and sound and light displays, but each showcases video in a unique or adventurous way.
Hundreds of shows open in Philadelphia this fall, far too many to include in this short roundup. Six shows caught my fancy, but they’re just the tip of the iceberg. Nowhere at Arcadia (Sept. 23-Nov. 7. arcadia.edu)
Little Berlin’s group show, Forecast, places work by newly admitted members of the collective alongside pieces by founding members. As the press release notes, with a moderating dash of sarcasm: “Get a glimpse into the future through the artwork we make. Hence the clever title, FORECAST.” Indeed, the show gives a sense of what’s happening—some good, some still coming along—here in Philly. New collective member Leslie Rogers’ video account of a mugging, “The Meeting,” is undoubtedly the highlight of the show.
In one of our chats yesterday about Manya’s piece in the Weekly on selling art, I said, We as a society spend $100 or $150 for seats at a rock concert, but why not for an ephemeral piece of art that might last a day, a year, five years, giving us pleasure? I wouldn’t have had this thought perhaps if Roberta and I weren’t talking together. The following thoughts ensued from the original conversation:
At Projects Gallery, Susan B. Howard’s exhibit “Tipping Point” features expressionistic paintings of animals in natural environments. At a cursory glance, these brightly colored pieces seem to embody the harmony of peaceable kingdoms. “Actually,” Howard said, laughing when I suggested this, “each painting is more like a mini soap opera.”
It was a cupcake of an evening last Friday. We dined on cake at Grizzly Grizzly, Bambi and Little Berlin. Here’s a few people pictures and a little gossip.
This post continues the tale of our NCECA (National Council on Education for the Ceramic Arts) shuttle bus tour on Mar. 31 of ceramics exhibits in the Fishtown/Northern Liberties parts of town. Little Berlin “Scene,” an international show organized by Jennifer Woodin at Little Berlin is spare and a little chilly. The grid of ceramic knots held up by wire by Henny Linn Kjellberg (of Sweden) reminded us of how many other grids we had seen that day — at Tyler, up on Amber St. and elsewhere. Grids are great, but we had trouble conversing with the ceramic knots in the ... More » »
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