Rebecca Jacoby, one of two artists featured at LG Tripp this month, has a bright pastel palette after my own heart. Many of her works are done in acrylic, oil, pastel and collage. For such a wide array of media, she utilizes her materials in a way that they are blended beyond individual identification, making her pieces very cohesive and whole.
Works in progress by Miriam Singer As works on paper go, Philly artist Miriam Singer‘s work–talismanic cityscape-maps that record time and place and daily life in layers–is not so much on paper as of paper. And that makes these combination prints/drawings a good fit with all the paper cutting and 3-D paper work that’s been filling the galleries lately (see post). I paid her a studio visit a earlier this month, and learned she will be in The Rolling Canvas Art Collective, an exhibit and art auction at MBN August 1, of bike-related art presented by Fuji Bikes, Jinxed and ...
by Miriam Singer One show at the Philadelphia Fringe is not enough. It’s so hard to know what will be good, what will not, that you sort of have to sample a bunch and hope for the best. This year, we finally figured that out and purchased tickets to four shows. Two down, two to go–plus a bonus. by Miriam Singer The bonus was added on to show number one. Murray and I got to the Painted Bride early to pick up our tickets, and there were works by Miriam Singer hanging on the wall in the cafe area, where ...
Anne Minich, Cloud, wood, oil, found materials As far as art “of the people, by the people, for the people” in City Hall, the “for the people” element has taken a turn for the worse. To get into City Hall these days, you have to go through a checkpoint (being paid for by Homeland Security). The first time I went, the line was long and slow. So this week was my second attempt to see the current Art in City Hall exhibit. I imagine this new situation might be a barrier to anyone but friends and family of the artists ...
Verbena, by Rebecca Saylor Sack, oil on canvas, 60 x 70″ The four artists showing this month at Gallery Siano have such different takes on what a place can mean that the exhibit gathers meaning beyond the contributors. Rebecca Saylor Sack’s extraordinary paintings of water and woods sparkles with light and energy and danger. In the flick of a brush, Sack expresses a branch or a tumble of leaves. The leaf mold underfoot, the glint of sky in water, the crash of broken limbs and trunks are all there as reminders of the peace and danger and the cycle of ...