From the walls of color in his series that continue throughout the Breuer, to his earlier work, the oversized snapshots, the smaller pieces that take on death, black identity in America, and his deep, painfully humorous comics, Marshall is an artist who has worked and played his way into the all-important arts conversation.
Read MoreThe double bill at the Film Forum will take you 90 minutes. It’s a must-see 90-minutes. The documentaries on Elizabeth Murray, (“Everybody Knows…Elizabeth Murray” by Kristi Zea) and Carmen Herrera (“The 100 Year Show” by Alison Klayman) immerse you in the biographies and studio practices of two great artists who had spark and ideas, worked hard, never gave up, and are examples to us all.
Read MoreMartin’s striped paintings, such as “Gratitude” and “Untitled #2,” pictured here–soft acrylic washes thinly applied over layers of gesso in pinks, blues, and yellows–are beautiful, tranquil, serene, meditative, pristine, innocent, and exquisitely spare. They fulfill the artist’s intention to evoke abstract positive emotions, emotions “above the line”–happiness, love, and experiences of innocence, freedom, beauty, and perfection. “I would like [my pictures] to represent beauty, innocence and happiness,” Martin said. “I would like them all to represent that. Exaltation.”
Read More“I did it because I could,” says Rocky 184, the one woman graffiti writer who gets a deep look in the movie. The self-proclaimed tomboy from Washington Heights is not alone in her unfocused motivation. “I was bored,” says Snake 1. It was not political, say a number of the others. The best, nuanced comment is from Cool Earl, who says “It was a sign of the times, a sign of our youth, our lack of funds and perhaps our lack of paternal guidance.”
Read MoreI have heard Dana Schutz’s work compared to that of the Austrian artist Maria Lassnig. I have heard her speak about the influence of German Expressionism upon her, and about her admiration for many contemporary artists, including the Latvian Ella Kruglyanskaya. But Schutz’s work is so unique and idiosyncratic that one is hard-pressed to pinpoint her artistic lineage.
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