At Race Street Café this month you can wrap your head around the kaleidoscopic creations of S. Leser and the organic meanderings of Gaby Heit. As a somewhat unconventional gallery space, the café is a great little nook to grab lunch and entertain your eyes with some optical art all at once.
A Love Supreme at the Philadelphia Photo Arts Center provides a cross-section of photographers and techniques, as well as content that ranges from near-documentary to almost complete abstraction. It is a great sampling of images that whets the palate but leaves the viewer seeking more.
It is always refreshing to find an artist with a body of work that is as solid as it is diverse. At Fleisher/Ollman’s May exhibition Voyeur, Tristin Lowe proves that he is just such an artist – working in mediums as divergent as cell phone photography, felt sculptures, and glowing neon lights. Lowe’s explorations range from abstractions on a personal level to images of cosmic proportion, and he does so with an unabashed, yet accessible amount of curiosity and humanism.
Free workshops at black comix convention The 10th Annual East Coast Black Age of Comics Convention is back! Philadelphia will again host the convention on May 21 at The Crown Plaza Hotel on 1800 Market Street from 10 am – 7 pm.
April Fool’s jokes aside, the installation Common Place, which opened on April 1 at Extra Extra, is as thoughtful as it is playful. It’s an ambitious experiment in the social and the private, as well as the natural and the synthetic. It is the joint brainchild of three artists: Beth Brandon, Samantha Margherita, and Luren Jenison, who came together after noting similar themes in each others’ work.
Post by Chip Schwartz Rubens Ghenov’s show at Artspace Liberti on 2424 York Street is a series of snapshots without a camera. Everything in the gallery space in the show “ie: Brazilein Chaekkorias, rotted one note” seems to move in frames. The intermingled, painted images are stationary, but their relationships are jumbled and obfuscated. Along with Milton Jaula’s anxiously dynamic soundscape (listen here) resonating throughout the space, this show is intriguing because it is so challenging.
An article in the Inquirer this morning notes that the city’s business privilege tax hurts self-employed people — many of them artists. Like duh. But now Gary Steuer, our art czar, is trying to change the provisions in the law to create a deduction for the self-employed who make less than $100,000. Steuer notes that most artists’ income fall below that. Also, like duh. In the article Steuer says the business privilege tax “is clearly an adversity to the creative sector. We have good training grounds here. When they (artists) come here to study, we want them to fall in ... More » »
There is a smorgasbord of styles at the Center for Emerging Visual Artists right now. The show, entitled Beyond Abstraction, was assembled by visiting curator Katrin Elia and consists of eight artists with mediums as wide-ranging as video and encaustic to fabric and wood. With such disparity even within the realm of abstractions, it is necessary to focus on a few aspects of the show.
Eteam’s “Prim Limit,” one of the pieces in the “Landscape Techne” exhibition at Little Berlin through November 27th, is a half-hour film that takes place in the “Second Life” virtual world, an online computer game that allows users to design their own avatar world.
Rebecca Jacoby, one of two artists featured at LG Tripp this month, has a bright pastel palette after my own heart. Many of her works are done in acrylic, oil, pastel and collage. For such a wide array of media, she utilizes her materials in a way that they are blended beyond individual identification, making her pieces very cohesive and whole.
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