Peter Funch‘s photography project titled Babel Tales merges documentary photography with manipulated photography. Peter stands and waits on street corners for days on end in the same position, photographing individuals walking down the street and then merges each individual within an a concept-driven collective (the neo-collective). The individual is forced into hive consciousness, fact and fiction collide to create a clever series of photographs that smartly uses image manipulation technology.
News (Inaccurate information has been removed from this post). ICA appoints new curator The Institute of Contemporary Art has appointed Anthony Elms as a new Associate Curator. Elms has worked as an independent curator and writer, and he was Assistant Director of Gallery 400 at the University of Illinois at Chicago for six years. He replaces Jenelle Porter who has taken a position at ICA Boston.
If this is Edmonton, I am looking for the art, and my sister-in-law Louise, a landscape artist with lots of skills, is aiding and abetting me. My brother Barry and Murray also come along.
A Love Supreme at the Philadelphia Photo Arts Center provides a cross-section of photographers and techniques, as well as content that ranges from near-documentary to almost complete abstraction. It is a great sampling of images that whets the palate but leaves the viewer seeking more.
Big is what the Ice Box exhibition space requires. CONSTRUCT, CFEVA‘s show there, delivers the goods.
It’s welcome to see increasing numbers of serious books on women artists, even if all three discussed here are posthumous. The volumes on Spero and Wilke pay sustained attention to two Americans who are well-known and widely reproduced; the book on the Austrian, Birgit Jürgenssen (1949-2003), is an introduction to a fascinating artist whose work is all but unknown in the U.S. Gabriele Schor and Abigail Solomon-Godeau Birgit Jürgenssen (Ostfildern: Hatje Cantz and Vienna: Sammlung Verbund, 2009) ISBN 978-3-7757–2461-6 (English edition) Birgit Jürgenssen’s education, teaching career and exhibitions took place primarily in the very small and in-bred art community of ...
When is a magazine not a magazine? Maybe when it’s got so many good things in it you don’t throw it away. Or maybe when it looks more like a book than a magazine.
One is an alchemist and the other a documentarian, and while the photographs of Connie Imboden and Lorenzo Triburgo couldn’t be more different, what’s common to both Equality Forum artists is their focus on the human condition and their desire to capture truth and beauty.
Flying over snow-covered mountains in western Pennsylvania long ago, I was struck by the ambiguous appearance of this wintry landscape, as viewed from 30,000 feet. Was I looking at mountains—or and dunes in the desert, waves in the ocean, ripples in a pond? Chad Gerth’s urban photographs and Lydia Jenkins Musco’s constructions of urban materials [Tiger Strikes Asteriod, February 4 - 27, 2011] both explore the difficulties the eye faces in making sense of the world.
Our series sponsor is Fleisher Art Memorial. Daniel Traub’s photographs of overgrown lots in North Philadelphia where rowhouses once stood have a mournful feel. In Traub’s photos, on view at the Print Center until March 5, indomitable nature grows up tall where people once lived. But the works are not so much about the man-nature struggle in the built environment. They’re more about entropy and the way things are, the rub of time and place. Traub spent the last nine years in China where he observed the building boom of gated communities rising next to shanty towns. He talked with ...
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