For the past couple decades ever more museums have invited artists into their store rooms to curate exhibitions: in an early example, the RISD Museum invited Andy Warhol; MoMA asked Chuck Close and Scott Burden; and Fred Wilson has made a career of the practice. The results have almost always been interesting. Artists, of course, have their own questions of and approaches to objects and collections and it’s always enlightening to see familiar things in unexpected ways.
Matthew Neff, Sugar Chandelier,” one of the current CFEVA artists on exhibit at the Philadelphia Museum of art in honor of CFEVA’s 25th anniversary. Nearly everyone in Philadelphia gripes about how the best way for a local artist to get in the Philadelphia Museum of Art is to die. But there’s a works on paper show up right now–Emerging to Established: Twenty-five Years of the Center for Emerging Visual Artists–the first ever CFEVA exhibit there, that belies the gripe. Serena Perrone, I.II, another current CFEVA artist in the exhibit. The exhibit, which looks great, is of 49 works by 25 ... More » »
Looking decidedly awake and aware, The Print Center’s 81st annual printmaking competition exhibit perked me up on an otherwise less-than day on the art circuit. The Philadelphia Museum of Art’s associate curator of prints and drawings, Shelley R. Langdale, culled 44 works by 42 artist from more than 1,600 works of mainly U.S. artists. Serena Perrone, The Origin of Self-Sacrifice, woodcut, silverpoint, goldpoint on mylar, 48 x 72″ The mysterious narratives were what most captured my interest (I confess that print methodology interests me only in so far as it affects what the final product looks like). The first floor ... More » »