The Black Show makes me think about José Saramago’s epic novel “Blindness” (1997), in which blindness invokes darkness, oscillating between sociopolitical misconception and human malice. “I don’t think we did go blind,” reflects one of Saramago’s figures at the end.Read More
It seems to me that Matt Mullican doesn’t present ultimate solutions to these questions, but he ostensibly reveals a structural nexus behind the visual world driven by an archive of signs and symbols.Read More
Viewed post-Paris, post 9/11, “White Homeland Commando,” for all its formal wizardry, seems both too long and almost offensively cool.Read More
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