New Artblog contributor L Autumn Gnadinger interviews Zoe McCarthy, who works in ‘”new media, 3D animation, and mixed reality.’ You can see Zoe’s work in ‘New Now IV,’ a group show of new InLiquid members, through June 19, 2021 at the InLiquid Gallery.
Read MoreArtblog contributor Susan Isaacs visits ‘Sonya Clark: Tatter, Bristle, and Mend,’ the first survey of Sonya’a 25-year career. The exhibition (which Susan calls “life changing”) examines America’s history of racial violence and oppression. It is currently on view at the National Museum of Women in the Arts in Washington, D.C. through June 27, 2021.
Read MoreIn the face of COVID-19, Artblog is hosting an open call, non-juried, first come first-served online exhibition entitled “Artists in the time of Coronavirus.”
Read MoreIn this sponsored post, Superfine Art Fair tells why they want You!
Read MoreI had the wonderful experience of taking a dozen college classmates and their spouses through the exhibition recently. Only one person had any background in art history and none of them recognized the artist’s name. I explained that Irwin’s work takes time–literally, time for the eyes to adjust. They concentrated on the floating sphere bisected by a dark, horizontal line which disappears towards the circle’s margins–and the magic began. The painting creates a series of changing optical effects which it would be useless to try to explain, and because the effects depend upon presence and time, the artist refused to have his work photographed for many years–he has since relented. Anyone who knows Robert Irwin’s work only from reproductions has no idea of what the work is about.
Read MoreDear Friends, in this Holiday season, we at Artblog hope you are surrounded in the love of family and friends and relaxing in a respite from a too too busy world. We are thankful for you and your support of all we do. Wishing you peace, Roberta and the Artblog Team
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