Long before newspapers, stories were told around the campfire or written in pictures on cave walls. Stories of victory and defeat in war were transmitted by runners carrying the news. Letters from soldiers — albeit censored — also told stories of war, and then peace. We have a more sophisticated way of telling stories now but really not much has changed. News communicates facts, opinion and gossip. Several works in Temple Gallery’s Philagrafika show deal with these issues and while this reporter can tell you about what’s in the gallery, the big news is that two bodies of work, ... More » »
We’ve been making some of the rounds, talking to a variety of Philagrafika artists in The Graphic Unconscious and Out of Print exhibits. Here are some tidbits, mostly recollected, but I noted when the conversation is based on notes.
An incomplete, biased and otherwise personal list of some of the events I hope to get to in the next two weeks: Tuesday, Feb. 2, 6 pm YOUNG-HAE CHANG HEAVY INDUSTRIES, a Seoul based web-art group, will be speaking at Temple where their work is part of Philagrafika. 126 AUDITORIUM, Temple University Architecture building, 1947 North 12th Street, Philadelphia, PA 19122 Free and open to the public Who wouldn’t want to hear from artists who did a web piece called CUNNILINGUS IN N0RTH K0REA? You can see it, and more of their work at their site.
Ugo Rondione’s Hell, Yes! graces the front of the new New Museum. Unmonumental investigates collage in contemporary art practices and it does so by turing the exhibition itself into one large collage. The outcome is just as confusing as it sounds like it should be. I supoose the ideal way to have viewed Unmonumental was to visit the museum three times. First, when Unmonumental: The Object in the 21st Century opened on December 1st and the galleries hosted only the sculptural assemblages. Then it might have been a treat to re-visit when Collage: The Unmonumental Picture was added to the ... More » »