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When Daniel de Jesús performs he looks just like a painting of the Virgin Mary or a statue of a saint come to life. He wears a blue silk robe and his blue and purple eye make-up runs down his cheeks like tears. His voice resounds in unison with the cello between his knees; a drum machine may keep time or offer up haunting sounds.
Read MoreI had the wonderful experience of taking a dozen college classmates and their spouses through the exhibition recently. Only one person had any background in art history and none of them recognized the artist’s name. I explained that Irwin’s work takes time–literally, time for the eyes to adjust. They concentrated on the floating sphere bisected by a dark, horizontal line which disappears towards the circle’s margins–and the magic began. The painting creates a series of changing optical effects which it would be useless to try to explain, and because the effects depend upon presence and time, the artist refused to have his work photographed for many years–he has since relented. Anyone who knows Robert Irwin’s work only from reproductions has no idea of what the work is about.
Read MoreThe curated show of paintings, sculpture, video and works on paper from the 1950s to the present is notable for works with fierce pride in Latino identity and for works with unabashed political underpinnings. The show and its catalog shed light on contemporary artists who would stand out in any group.
Read MoreFletcher Williams III’s work demands that we confront uncomfortable facts about both our present and our past, reflected in these lost lives and blighted neighborhoods. The façades depicted in Beyond the Rainbow hint at the individuals who lived there and the community that struggles to survive against the twin challenges of poverty and racism. Jonathan Green’s site-specific Porgy Houses likewise ask us to reflect on black history in Charleston and the whitewashed present.
Read MoreAllen’s Lane Art Center’s Second Annual “Night of the Arts” This Saturday, 6PM – Immerse yourself in this vibrant community art center in Mt. Airy – and spend time with their gallery exhibition by photographer Harvey Finkle, whose socially-activist works Artblog has long admired.
Read MoreIn the end, the exhibition Common Touch: The Art of the Senses in the History of the Blind offers more than a glimpse into the history of the blind from the depths of today’s archives. In contrast to persistent misconceptions about blindness–as if Pieter Bruegel’s sinister and mocking “The Blind Leading the Blind” (1568) still shapes our thinking today–Teresa Jaynes shifts our biased perception from a predominantly visual culture into a synesthetic experience. Speaking through the language of the fingers, she creates a tangible world that addresses issues of humanity and society that are anything but marginal. Liberate your vision and explore the nature of perception through the senses of touch, sound, and scent.
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