Andrea Kirsh writes about the erotic charge of feminist works by Marilyn Minter, Manon and Unica Zürn in this review of three very interesting exhibitions in New York.
Roberta sees — and hears — a participatory public project by David Byrne in New York and says its percussive flavor, with sounds bouncing off the walls and ceilings of an old downtown maritime building reminded her of Janet Cardiff and George Bures Miller’s sonic piece at Eastern State Penitentiary