Alex Smith reviews the sculptural installations of “Henry Taylor: Nothing Change, Nothing Strange.” The 3-D work is a departure from the artist’s more well-known, humanist portrait paintings, and he scavenged materials for the installation with the help of Philadelphia’s RAIR (Recycled Artist in Residency) program.
Read MoreIn today’s News post we round up a short and sweet list for you of interesting organizations new to us, news of leadership transitions, and two great opportunities.
Read MoreAlex Smith speaks with L. Graciella Miaotalesi about the curated series The(se) Black Experience(s) which explores the myriad of Black lived experiences and aims to address issues of imposter syndrome that may arise for Black people navigating spaces of identity.
Read MoreLogan Cryer reports back from Jacolby Satterwhite’s latest exhibition at the Fabric Workshop and Museum, Room for Living.
Read MoreImani reviews Poorly Watched Girls, a series of multi-media environments created by Suzanne Bocanegra at the Fabric Workshop and Museum. This complex body of work, in turns mournful and playful, will be up through February 17, 2019.
Read MoreDeb Krieger visits “The Contour of Feeling,” Ursula von Rydingsvard’s current exhibition of imposing wooden sculptures and evocative works on paper at the Fabric Workshop and Museum. Read her reflections on process and catch the show before it closes on August 26, 2018!
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