Alex Smith reviews the sculptural installations of “Henry Taylor: Nothing Change, Nothing Strange.” The 3-D work is a departure from the artist’s more well-known, humanist portrait paintings, and he scavenged materials for the installation with the help of Philadelphia’s RAIR (Recycled Artist in Residency) program.
Read MoreIn today’s News post we round up a short and sweet list for you of interesting organizations new to us, news of leadership transitions, and two great opportunities.
Read MoreAlex Smith speaks with L. Graciella Miaotalesi about the curated series The(se) Black Experience(s) which explores the myriad of Black lived experiences and aims to address issues of imposter syndrome that may arise for Black people navigating spaces of identity.
Read MoreLogan Cryer reports back from Jacolby Satterwhite’s latest exhibition at the Fabric Workshop and Museum, Room for Living.
Read MoreImani reviews Poorly Watched Girls, a series of multi-media environments created by Suzanne Bocanegra at the Fabric Workshop and Museum. This complex body of work, in turns mournful and playful, will be up through February 17, 2019.
Read MoreDeb Krieger visits “The Contour of Feeling,” Ursula von Rydingsvard’s current exhibition of imposing wooden sculptures and evocative works on paper at the Fabric Workshop and Museum. Read her reflections on process and catch the show before it closes on August 26, 2018!
Read MoreWe have a couple of good artist opportunities from the Philadelphia Cultural Alliance and Mural Arts, as well as a couple of events from Al-Bustan Seeds of Culture and the Fabric Workshop and Museum. Finally, a good read from Zadie Smith in the New Yorker.
Read MorePlayful and serious at the same time, Lenka Clayton’s Object Temporarily Removed at the Fabric Workshop and Museum raises important questions about art’s audiences and its value. Inspired by Constantin Brancusi’s “Sculpture for the Blind,” Clayton asks, what if this sculpture were really made by the blind? And what makes Brancusi so special if other artists at the same time were making similar work?
Read MoreBetween and among the bodies, repeated patterns emerge and tensions twist. Each human interaction—which depends on the particular people attending—can be analyzed in terms of the submission and dominance of the players.
Read MoreRabbit, Rabbit, Rabbit is a large show of varied works by artists who are most often behind the scenes promoting, administering, manufacturing, and educating in support of the renowned artist-in-residence program or other contemporary exhibitions held at the museum.
Read MoreI am caught in a perfect storm of tourists, students and everyone else that washes up on the steps of the Philadelphia convention center. Whether they are looking for the entrance to the parking garage next door, change for parking meters, a public restroom or an art museum, I am the person they talk to when they walk through that door.
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