Regional women artists of all ages ply various media, from plaster and paint to fibers and installation, in a show that is a demonstration of women and non-binary artists’ power to create. Our reviewer Susan Isaacs says: ‘Given the particularly fraught moment we are facing now regarding… voting rights and control of women’s bodies and those with a uterus, “Fields and Formations” is an especially important statement about the creativity and commitment of women and non-binary artists. “ We encourage you to see this exhibit, up now to January 7, 2022.
Read More“Emma Amos: Color Odyssey” at the Philadelphia Museum of Art is a revelation for those who want to know the art of Emma Amos, who came up during Abstract Expressionism’s heyday and fought against abstraction in works that are complex, inventive and in several cases, stunning.
Read MoreArtblog contributor Natalie Sandstrom reviews artist Riva Lehrer’s memoir “Golem Girl,” which chronicles her artwork, activism, and experiences as a queer person who has spina bifida.
Read MoreAt a time of deep isolation like ours, letter writing offers a breakthrough to a special closeness as shown in the book “Artists’ Letters: Leonardo da Vinci to David Hockney.”
Read MoreIn this time of social distancing, Artblog’s Mandy Palasik reflects on the importance of feminist art pioneer Natalia LL’s controversial work.
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