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Inspired by the academies of ancient Greece and Byzantium, the new Temple Library is designed to create pleasurable–and hence optimal–learning experiences. The visual anchor of the building will be an updated take on a characteristic element of Classical architecture–the oculus, a round opening centered in the dome of a building. Like a latter-day Roman Pantheon, the new Temple library will have a giant oculus in the center of its 3-story atrium that will allow natural light to permeate the 225,000 square-foot structure and orient visitors no matter where they are inside the building.
Read MoreCould there be a better escape vehicle than a nostalgia-infused augmented reality app populated with cuddly cute fantasy deedle-doos and whippy-wongs? Instead of going outside and actively confronting racial and economic disparities, let’s go outside and confront this Snorlax! Instead of meeting strangers and friends to reflect and discuss our experiences of race, let’s discuss these Pikachus! We are like the scared children on the airplane who refuse to focus on the harsh and seemingly terrifying realities of our situation and instead have been given an iPad by our parents. But as adults, we alone are to blame for this shameful compromise, an indulgence of distraction that immobilizes the raw introspection and societal movement that is our responsibility. All of us Pokémon Go users aren’t looking to catch them all; we are desperate looking to forget them all.
Read MoreThe integration of the visual and the visceral was particularly successful in “Bonzi,” whose titular character (dancer Edgar Anido) is a traveling salesman who leads a humdrum life trying to sell people things they neither want nor need. At the start of the performance, the bowler-hatted Bonzi knocks on a plain white door and sets in motion a series of surreal vignettes involving multiple doors, bowler hats, apples, and eggs–all motifs familiar from the paintings of Magritte. Dancers hiding behind movable doors on casters swirled around the stage, dazzling poor Bonzi as well as the audience. With constant costume changes and the clever use of props, the dancers playfully shift personas from alluring coquettes with quixotic tree-like headgear circling around Bonzi, to a self-contained corps of dancers that largely ignores him. By the end of the performance, Bonzi seems to enter the dancers’ madcap surreal world, leaving behind his heavy black briefcase with unrestrained glee.
Read MoreThis week’s Reader Advisor reflects on the state of law enforcement in our country. As I write this on Friday afternoon I am having a hard time finding any value, context, or urgency in my perspective as a white American. Instead I am going to step aside and let the links speak for themselves. To start, a poem by June Jordan via The Poetry Foundation.
Read MoreRosa Leff’s papercuts push the boundaries of the two-dimensional world. Inspired by children’s books and political cartoons, her illustrations are painstakingly crafted shape-shifters that trick the eye, at times evoking a relief print with fine line work and deep contrast. It’s upon close inspection that the separation of the cut image from it’s backing creates a landscape of shadows that makes the work reside in neither the two nor three-dimensional realm.
Read MoreThe “way markers” come, as one would expect, from Tobias’s visceral responses to his walk along the path and are designed to tickle your ears, nose, and skin, as well as your brain. You experience more than you see, depending on the weather and how open you are that day.
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