Alexander Arrechea’s installation, Orange Tree, occupied Crane Arts‘ huge Icebox as well as the Grey Box leading to it from Jan. 21-Feb. 21, 2010, and it definitely held its ground within that vast space. Arrechea’s work, combining suggestions of menace and the high-tech production values of the latest Hollywood movie, rose to the challenge of the monumental scale. On entering the darkened Grey Box visitors were confronted with Black Sun (2009), a silent video projection of a swinging wrecking ball that marked time in the exhibition like a destructive pendulum.
Little Berlin and Basekamp, part of my First Friday route, were both you-had-to-be-there moments, something quite different from a quiet gallery visit in the middle of the week. Little Berlin‘s exhibit, Offerings, is made of works created by small groups of four people collaborating together. The total number of participants at play–71 participants in 20 groups–was pretty amazing. Little Berliners Alex Gartelmann and Martha Savery mixed and matched group members for the most part, so participants barely knew or didn’t at all know their collaborators. Little Berlin, once again, is reaching out beyond their core group and finding lots of ... More » »