Janyce Denise Glasper visits “Augusta Savage: Renaissance Woman” at the New York Historical Society and experiences why this important female figure of the Harlem Renaissance is a hero to herself and others.
Read MoreSarah Kim reviews Korean artist Do Ho Suh’s ghostly “The Perfect Home II,” (2003) a gauzy translucent stitched fabric recreation of his one-time apartment in Chelsea.
Read MoreSusan Isaacs says the anxiety present in the works in “Monsters and Myths: Surrealism and War in the 1930s and 1940s” at the Baltimore Museum of Art speaks to our times.
Read MoreLacy Murphy talks Anthony Gormley’s “STAND” (on display at the Pennsylvania Museum of Art until June 24, 2019) and the role of public art.
Read MoreGuest writer Susan Isaacs, a noted art historian, curator and educator, writes of a show of abstract sculpture curated by Alexis Granwell at PAFA. Isaacs speaks with Granwell about the exhibit, her curating and her art practice and says the exhibition of abstract works engages through its sensual materiality.
Read MoreMandy Palasik, architect, writer, artist and art lover, makes a journey to Chester County to the home studio of the late master of woodworking, Wharton Esherick, and finds the wood surfaces irresistible to the touch (which is encouraged!) in the house Wharton built. Mandy recently reviewed the Becky Suss paintings at Fleisher-Ollman, based on that artist’s experience of the home studio. Suss’s paintings are now on view at the Esherick Museum, a great pairing.
Read MoreLogan Cryer writes an insightful appreciation of the Women’s Mobile Museum culminating exhibition. The group photography show by — and depicting — women involved in the year-long project at PPAC, has some great self-representation, and Logan concludes that photography is the best medium with which to examine issues of who is normally represented in art works and who is normally excluded. The exhibition is up at PPAC through March 30.
Read MoreIn her review of Cecilia Vicuña exhibition, Andrea Kirsh calls the works — little cobbled-together objects tacked to the walls or arrayed on a low platform on the floor — marvels. But these objects are not nothings to throw away but objects with magical shadows and poetic meanings, and their mystery delights.
Read MoreRecent UArts graduate Heet Lee had her first solo museum show in Leipzig, Germany earlier this month and Artblog correspondent Olivia Jia, who visited her friend’s exhibition, tells us about it. Lee’s energetic and aggressive compositions draw imagery from a dizzying array of sources, both public and private.
Read MoreTaDa! Just for you, our annual curated list of notable people, groups, books, and other art world stuff from the outgoing year: The 2018 Liberta Awards!
Read MoreWhen an under-appreciated woman artist finally gets her due, you know Artblog will be there to cover it! Here Andrea Kirsh tips her hat to the Barnes Foundation and their major retrospective of Berthe Morisot, on view through January 14, 2019. Morisot, who was one of a small number of female artists at the epicenter of the Impressionist movement, was also a true pioneer of form and technique.
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