Roberta talks with artist and longtime curator at both Moore College of Art and Design and Arcadia University, Richard Torchia. They cover Torchia’s early post-college experience working for architects and an early artist collective in Newark, NJ, and his recurring fascination with and use of photocopier machines to make art and books.
Read MoreSharon Garbe sees the towering works by British artist Thomas J Price in an exhibit titled “Resilience of Scale,” and comments that they are not only about scale.
Read MoreCorey Qureshi visits Marginal Utility/2C Books for the show, ‘Curio,’ work by Zachary Simonson, which involves a cabinet and drawers filled with or embellished with surreal figures (mushrooms, and things that look like a lamp, or a candle, an empty bell jar) and glyph-like characters that might be from a different language, or from a different planet.
Read MoreLogan Cryer gets immersed in the style, music and “indie sleaze” culture of the early aughts in a show of photographs and memorabilia by Melissa Simpson at Tiger Strikes Asteroid.
Read MoreWe are very happy to present this review of ‘Liisa Nelson: Dreams’ by Magdalene Sanchez, a Moore College of Art and Design student in Chenoa Baker’s Writing for Art and Design class. In their review, Magdalene talks about ceramic art as a way to stay connected to our material world.
Read MorePete Sparber sits down with a number of Philadelphia artists who are also administrators (executive directors, directors, gallery owners) and compiles nuggets from each of his conversations – subject, the Future.
Read MoreWe are very happy to present this review of Prior Reinhardt’s ‘Such an Effort,’ written by Elizabeth Brabham, a student in Chenoa Baker’s Writing for Art and Design class at Moore College of Art and Design.
Read MoreSusan Isaacs calls the exhibit ‘Thread Lines’ inspirational and an exhibit elegantly installed and well worth your visit. The group show at Goya Contemporary in Baltimore has works by many well known fiber artists including Joyce J. Scott and Sonya Clark, who use their art for personal as well as social commentary.
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