Logan Cryer writes about Jayson Musson’s exhibit of new quilted wall works at Fleisher-Ollman, and says their materiality must be considered. With the use of many visible stitched lines factoring into the pieces and their reference to Gees Bend quilts to be noted, the work raises questions.
Read MoreCorey Qureshi sees the solo exhibition of Erin Murray at Peep Projects and comments on the technique of letting the design wrap the frame of the work so it continues the theme “beyond the artifice of structures.”
Read MoreSusan Isaacs sees a 50-year retrospective of works by Joyce J. Scott at the Baltimore Museum of Art. Scott is a Macarthur Award-winning artist, whose works deal with political themes of social justice
Read MoreThis week’s news has lots from The Arts League including their second artist convening and the announcement that their Executive Director, Zoë Rayn Evans is moving on and they are looking for a new E.D. Also, a couple outstanding exhibits are closing soon.
Read MoreIn the bold and beautiful paintings of Dona Nelson, Lane Timothy Speidel finds optimism and spring-time hope after a long hard winter. Speidel’s poetic review explains Nelson sees themself as an intermediary.
Read MoreMiles Orvell spends time unpacking the current Wind Challenge 2 at Fleisher Art Memorial. He says the artists are dealing with today’s existential dilemmas, and sums up the show this way: “In our topsy-turvy world, a time of moral, political, and technological upheaval, the Fleisher Wind Challenge 2 offers three wildly different assessments of the human condition and three powerful models of what it means to be an artist today.”
Read MoreSo much is going on this Spring, from charity fundraisers to festivals of music, theater and art! Plus, graduating artists thesis shows are beginning.
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On a day of tragedy in Baltimore, caused by a container ship’s collision with the Key Bridge, the ensuing bridge collapse and loss of lives, we are thinking of the city and its people, and about other cities and peoples that depend on infrastructure that is fragile. How vulnerable we all are! Our Baltimore contributor Dereck Mangus, in a review written before this tragedy, will tell you about an exhibit that touches on tragedy — human and ecological.
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