Pete Sparber talks with Elizabeth Johnson about her solo exhibit at Gross McCleaf Gallery. Titled ‘The Cost of Sleep,’ the show presents large and small oil paintings that are dreamscapes of tornado-like swirlings, very beautiful, energetic, and a little terrifying.
Read MorePete Sparber sits down with Samantha (Sam) Connors, the Executive Director of Da Vinci Art Alliance to talk about the organization’s roots in the community, its history (93 years strong) and the future.
Read MoreCorey Qureshi visits Big Ramp in North Philadelphia for ‘Death Card,’ the inaugural exhibit. The gallery is a project of Jacob (Chris) Hammes and others, following the “death” of Pilot Projects, Hammes’s former and beloved experimental space.
Read MoreMaxwell Van Cooper sees the six-person group exhibit ‘minor details’ at TILT Institute. An exhibition that takes off from the idea of an archive, the show is in part a collaboration or, even more-so, a response to curator Rami George’s archival work, “Untitled (minor details).”
Read MoreElizabeth interviews Paradigm Gallery and Studio’s co-founder Sara McCorriston about their 14-year journey through several moves; buying a building; working hard; hitting a big benchmark ($1 Million sales!) and their commitment to artists, curators, collectors and casual gallery goers.
Read MoreMiles Orvell goes to New Jersey to see Ellen Harvey’s ‘The Disappointed Tourist’ and cant get it out of his mind. Miles salutes Harvey’s crowd sourced project for the “universality of her major theme — precarity and loss.
Read MoreKatie Dillon Low sees an exhibit of her friend Pierre Trombert and talks about the artist’s many loves: “Trombert’s life has been a series of love affairs, which he has been writing about in a series of memoir manuscripts for several years now. One of the affairs was with the magnificent house that he bought for a song at 5th and Spring Garden Street in the early eighties.” Katie calls Trombert’s cohort of drawings at Butchie Alley “a love affair with line.”
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