Micheal Liberman reviews Michele Kishita’s “Absent Futures,” a show of landscape paintings made with a traditional wood burning technique, on view at Central Tattoo Studio and Gallery until March 29, 2020.
Read MoreNatalie Sandstrom reviews the latest exhibition at Automat Gallery, CAMP Philly. A group show of works by Kelly Dzioba, Zach Hill, and Natasha Le Sourd, it explores the wackiness and superficiality of camp within the arts. Catch the show before it comes down on February 1st.
Read MoreWit sits down with Jennifer-Navva Milliken,the Artistic Director at the Center for Art in Wood, to learn more about her work, the Center, and the exhibitions. “Making a Seat at the Table: Women Transform Woodworking,” closes on January 25th. The Center for Art in Wood is located at 141 N. 3rd Street.
Read MoreSarah Kim reviews “Rosewater”– an exhibition by the current artist-in-residence at The Clay Studio, Stephanie Kantor– which closes January 5, 2020.
Read MoreArtblog Managing Editor, Wit Lopez, visits the latest group exhibition at Cerulean Arts Studio & Gallery. The show closes on January 12, 2020.
Read MoreMark Lord visits the Upper East Side Gagosian, New York City and reviews “It reminds me of something, and I don’t know what it is.” a show of new paintings by Brice Marden, closing December 21st, 2019.
Read MoreArtblog contributor Natalie visits Moore College of Art and Design to see the exhibition “Visionary Women.”
Read MoreNatalie Sandstrom visits Wexler Gallery to review a collaborative exhibition featuring new works by artists Roberto Lugo and Mat Tomezsko.
Read MoreAlex Smith reviews Malachi Lily’s project, The Temple of Sirius, currently on display at the Da Vinci Art Alliance.
Read MoreWit visits new exhibition, “Spitting Distance” by Keenan Bennett and Heather Raquel Phillips at Napolean gallery, closing on Sunday, October 27, 2019.
Read MoreCongratulations to the 39 grantees who have been awarded by the Pew Center for Arts & Heritage.
Read MoreMichael Carroll reviews the latest exhibition by local artistic genius “Gabriel Martinez: Bound to the Past.” The display is centered on the summer of 1981 and the importance of that point in time as a cultural and political moment in LGBTQ+ history. Martinez’s work will be on display through October 20, 2019 at Marginal Utility gallery located at 319 N. 11th Street, Philadelphia, PA 19107.
Read MoreAlex reviews the project-based show at Vox Populi, “How Are We Free?” at Vox Populi through Sunday, Oct. 13, 2019.
Read More
Support for Artblog has been provided by The Philadelphia Cultural Fund.