With our reviews, we lead the discussion about what is valuable and why.
Our writing team covers exhibitions and performances in Philadelphia and elsewhere. We also cover books and movies. We look, take notes, ask questions and listen. We take pictures, make video and audio recordings. We think about what we see and have opinions. And we write our hearts out, every day.
Corey Qureshi visits ‘Molly Metz: Close Closer’ at Fleisher/Ollman gallery, where multi-layered paintings flow into amorphous and cavernous sculptures. Check it out before it closes on August 13, 2021!
Read MoreSusan Isaacs visits the Smithsonian American Art Museum (SAAM) and is impressed by two socially concerned exhibitions: “”¡Printing the Revolution!”(on view through August 8, 2021) and “Alexander von Humboldt and the United States” (now closed; online materials available).
Read MoreCorey Qureshi reviews ‘Strange Nature,’ a two-person exhibition of lockdown-inspired paintings by Nancy Mladenoff and Karen Heagle. The show– which Corey says elicits eerie memories of early-pandemic times– is on view (by appointment) through July 29th, at PEEP Projects.
Read MoreArtblog contributor Susan Isaacs recently took a trip to Roanoke, Virginia, where she visited four exciting exhibitions at the Taubman Museum– most on view thru September or December, 2021– and more. If you’re thinking of visiting Roanoke, look no farther than this post!
Read MoreDereck Stafford Mangus reviews “The Art of Looking at Art,” a guide book by Gene Wisniewski. Dereck says skillfully unpacks otherwise cryptic art history and art theory materials, and that the book is a valuable asset for ‘art novices’ and art historians alike.
Read MoreCorey Qureshi visits ‘Unfolding,’ a group show of 22 artists, at Atelier Art Gallery. Corey says you’re sure to find something that captures your interest- so check it out before the show closes on July 23, 2021!
Read MoreLogan Cryer writes lyrically about ‘David Dempewolf: suncatchers,’ an experimental video installation of stereoscopic imagery with a focus on emptiness and interior spaces. ‘David Dempewolf: suncatchers,” is on view at Tiger Strikes Asteroid through June 26, 2021.
Read MoreArtblog contributor Deborah Krieger reviews “Critical Cartography: Larissa Fassler in Manchester,” an exhibition of two-dimensional maps of Manchester, New Hampshire, describing socioeconomic conditions combined with anecdotal comments. The exhibition is on view at the Currier Museum, Manchester, New Hampshire, through Fall 2021.
Read MoreArtblog contributor Michael Lieberman reviews “Rising Voices,” an (now closed) exhibition of ten finalists of the Bennett Prize- a $50,000 prize for women figurative realist painters, awarded biennially.
Read MoreArtblog contributor Janyce Denise Glasper reviews the book “128-G” — a collection of photos, paintings, letters, writings and more, from incarcerated men in Calipatria State Prison, Southern California. Janyce says the book is poignant, inspiring, and articulates urgent truths about structural inequality. Book purchase details in this post!
Read MoreArtblog contributor Susan Isaacs visits ‘Sonya Clark: Tatter, Bristle, and Mend,’ the first survey of Sonya’a 25-year career. The exhibition (which Susan calls “life changing”) examines America’s history of racial violence and oppression. It is currently on view at the National Museum of Women in the Arts in Washington, D.C. through June 27, 2021.
Read MoreAndrea Kirsh follows up with Part 2 of her review of ‘Senga Nengudi: Topologies,’ which is currently on view at the Philadelphia Museum of Art through July 25, 2021. Andrea believes the show is a rare museum exhibition that appeals to people of all ages and interests. If you missed Part 1, you can find it in the Artblog post!
Read MoreArtblog contributor Andrea Kirsh sings great praise for the new ‘Senga Nengudi: Topologies’ exhibition at the Philadelphia Museum of Art (on view through July 25, 2021)! Andrea says the exhibition is outstanding in its approachability and Art Historical significance.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.