New Artblog contributor, Matthew Singer places “Maelstrom Analytica,” Tristan Lowe’s installation on view at Intuitive Art Space through September 19th, within the broader cultural conversation about toxic masculinity. He also considers, by way of contrast, recent explorations of gender and violence by Lowe’s age-mate and contemporary, the New York-based artist Cary Leibowitz (Candyass).
Read MoreAndrea Kirsh takes a trip to Chicago and shares her experience of the Museum of Contemporary Art’s recent Howardena Pindell retrospective. Across an impressive range of media and techniques, Pindell’s work tackles race, labor and the technologies that bind. This long-overdue exhibition, which was on view at the MCA from February 24 through May 20, will travel to the Virginia Museum of Fine Art later this year before showing at Brandeis University’s Rose Art Museum in early 2019.
Read MoreDeb Krieger is back with a review of Grizzly Grizzly’s current two-person show, “Two Spiders,” featuring work by Jesse Harrod and Chris Bogia. On view through May 27th, “Two Spiders” explores queerness through a variety of media and in relation to a playful mix of bodily and cultural references.
Read MoreMichael visits Stanek Gallery to review People, Places & Things, the Old City fixture‘s first exhibit of photography. Comprised of works from the past 60 years by ten photographers, including several notable locals, this show is as engaging as it is stylistically varied. Be sure to catch it before it closes on March 26th!
Read MoreIn Part Two of our 2-part coverage of the new documentary, Imani gives her take on how Sara Driver’s film about Basquiat’s early years both fits and breaks the mold. Boom For Real: The Late Teenage Years of Jean-Michel Basquiat is now playing at Ritz at the Bourse. See Roberta’s review from last Friday for even more to chew on.
Read MoreKaterina Lanfranco, Artblog’s new NYC correspondent, visited The Studio Museum’s exhibit, “Firelei Báez: Joy Out of Fire,” on view at the New York Public Library’s Schomburg Center for Research in Black Culture May 1-November 24. Part of the Museum’s itinerant “inHarlem” programming, “Joy Out of Fire” thoughtfully pairs Baez’s expressive mural-scale paintings with historical ephemera from the library’s own archives.
Read MoreIn Part One of our 2-part coverage of the new documentary, Roberta gives a brief overview of the film and says it’s not a bio-pic but a history flick about an era in which Basquiat was a player who turns out to be major. The film opens today at Ritz at the Bourse. Stay tuned for Imani Roach’s review coming up soon!
Read MoreIt’s graduation season, and one thing we’re mighty proud of here at Artblog is being the first publication to cover many of our region’s newly-minted BFAs and MFAs. Here Naveena Vijayan visits the University of Delaware’s MFA thesis show, “Cadence,” on view through June 3rd at The Delaware Contemporary.
Read MoreJessica Rizzo attended the Lightbox Film Center’s recent retrospective of French filmmaker Philippe Garrel’s evocative body of work. Here she traces the arc of his career and recounts highlights from the month-long survey, which included a number of films rarely screened on this side of the Atlantic.
Read MoreOur new contributor, Jessica Rizzo, sees the 10-hour, marathon performance of EgoPo Theater’s Lydie Breeze trilogy and says it’s worth spending the time with John Guare’s flawed Civil War-era characters, whose tragedies, loves, jealousies and losses are humanly relatable. The sets get a shout out as bringing the action to life, as does the atmospheric music. and Guare’s vision, rooted in the past, seems oddly relevant today. The three play marathon is a monumental accomplishment, says Rizzo. The last performance is Sunday, May 6, 2018.
Read MoreOlivia Jia visits Marginal Utility’s current two-person show, “#WEHAVENOPRESIDENT,” featuring work by Sarah McEneaney and LeRoy Johnson. Here she admires the devotional diligence of their projects and explains why all anti-Trump art is not created equal.
Read MoreDeb Krieger is back with a review of “Victoriana Reimagined,” on view at the Ebenezer Maxwell Mansion Victorian House Museum and Garden through September 1st, 2018. This multi-room installation features three female contemporary artists who use craft to uncover the history and politics of the domestic sphere.
Read MoreImani is still thinking about her trip to Volta last month. In particular, she reflects on “The Aesthetics of Matter” — this year’s curated section by Mickalene Thomas and Racquel Chevremont, which featured artists Tomashi Jackson, Troy Michie, Devin N. Morris, Christie Neptune, Kameelah Janan Rasheed, David Shrobe, Didier William, and Kennedy Yanko. While their work mines the political potential of collage across a variety of media, the surrounding context of the fair raises important questions about the political labor that African American artists and curators perform in the global contemporary art market. Volta NY 2018 was on view March 7th-11th at Pier 90 in Manhattan, NY.
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