Branche Coverdale’s exhibit at Paradigm Gallery and Studio has paintings that are funky and “in a semi-nostalgic register,” says our reviewer, Corey Qureshi. Corey concludes that the works “use modern sensibilities to depict potentially (probably) past tense moments.
Read MoreKatie Dillon Low sees a curated exhibit at Atelier Art Gallery in Brewerytown and loves it. Anchored in the works of Anne Minich, Katie says the show is balanced, with much to offer all tastes.
Read MoreSharon Garbe sees the works of Quentin Morris at Arcadia University’s Spruance Gallery and calls the monochromatic work nuanced and riotously quiet.
Read MoreSharon Garbe visits the Woodmere 81st Annual Juried Show and finds many connections between artists and a wealth of materials and methods used to produce works, from painted canvases to upcycled material constructions to 3D printed sculptural objects and hand made ceramics.
Read MoreLane reviews the show “Songs for Ritual and Remembrance” at Arthur Ross Gallery, a spare exhibition with works that are heartfelt memorials to past trauma experienced by the artists, either personally, or through ancestral or other historical connections. The show, which Lane says, holds “some impressive and moving works,” is up until Sept. 17, 2023.
Read MoreTasso Hartzog chronicles the high drama and steely nature of Judith Joy Ross’s photographs and sitters. Witness photos spanning from the Northeast of the United States to Paris, France exploring the nature of her subjects. See the 200 or so photos through August 6th at the Philadelphia Museum of Art.
Read MoreHeather Ujiies use of fibers, textiles, fashion, and visual art strikes a dreamlike chord evoking shared visual histories and global mythologies. Lost in Paradise displays massive printed textiles alongside sculptures and paintings that transport the viewer to the world Ujiie sees. See the show at James Oliver Gallery before it closes August 12th.
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