In their review of the exhibition “Soy Cuba/I am Cuba” at Arthur Ross Gallery, Logan Cryer says the Cuban artist Roger Toledo delivers a complex portrait of his homeland in art that is complex and conceptual.
Read MoreIn this commissioned essay, Logan Cryer expresses their thoughts about the future of Philadelphia’s art world and about how artists can seize the opportunity to expand and set boundaries in their practice. Thank you to The Common Field for providing the opportunity for Logan and Artblog to contribute to important discussions about the future.
Read MoreLogan Cryer writes an insightful appreciation of the Women’s Mobile Museum culminating exhibition. The group photography show by — and depicting — women involved in the year-long project at PPAC, has some great self-representation, and Logan concludes that photography is the best medium with which to examine issues of who is normally represented in art works and who is normally excluded. The exhibition is up at PPAC through March 30.
Read MoreLogan Cryer visits “Quality of Life,” Jennifer Packer’s current show at Sikkema Jenkins in Chelsea. Packer, who Artblog founders Roberta Fallon and Libby Rosof first met as a student in their senior painting class at Tyler School of Art, composes lush, figurative paintings from an economy of strokes and suggestive erasures. Her show closes January 19, so check it out for yourself while you still can!
Read MoreTo break bread with someone is to forge an intimate bond. Here Logan Cryer interviews local artist and 2018 Leeway grantee, Shreshth Khilani about their participatory performance “Immigrant Kitchen,” which runs through Monday, December 3rd. Part dinner, part coming-out party, this project uses Hindu mythology and South Asian foods to create communion around tradition while opening up the possibility of change. See below for ticket details!
Read MoreLogan Cryer walks us through Lane Speidel’s elaborate and deeply personal show, “Don’t Miss Me.” Get some nonlinear healing and some treasure-trash before it closes on October 20th.
Read MoreLogan Cryer attends two very different shows at Philly Fringe, both of which explore the complexities and failures of capital “F” Feminism. In “White Feminist,” Lee Minora corrals her audience into a critique rooted in irony and identification. Radiant Bloom Productions’ “The F Word” takes a more direct, multi-vocal approach.
Read MoreLogan Cyer is back with a review of “Big Boys,” the newest Open Call exhibition at Little Berlin, on view through August 26. For them the works on view raise a number of important questions about the politics the personal and what it means to take up space.
Read MoreLogan Cryer visits Sloppy Seconds, the 2-person show at Space 1026 featuring work by Wit López and Heather Raquel Phillips. It’s a whimsical affair and both artists draw heavily from craft aesthetics to celebrate brown, queer desire. NOTE: The closing reception is Tuesday, July 24, 6:00 PM – 8:00 PM with a performance by Kol-Kez. The exhibit closes July 28.
Read MoreLogan Cryer is back and thinking about their experience at the Institute for Contemporary Art’s current group show, “The Last Place They Thought Of,” on view through August 12. The exhibition views race and landscape through the specific lens of the black female body.
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