Co-curators J. Susan Isaacs and Erin Lehman write an essay about their exhibition “All Night Party,” which places contemporary works in conversation with 20th century party dresses, drawing similarities between America’s political climate then and now.
Read MoreSusan Isaacs reviews Stavy Levy’s exhibition Collected Watershed, which is currently installed at the Center for the Arts Gallery at Towson University. Though the gallery is currently closed due to COVID-19, the show’s end date has been extended to April 25, 2020, and the show is presumed to re-open before then.
Read MoreArtblog contributor Susan Isaacs reviews two exhibitions: “The Legends of Black Girl’s Window” at Museum of Modern Art in New York City, closing January 4, 2020, and “Crossroads” at Baltimore Museum of Art, closing January 12, 2020.
Read MoreArtblog contributor Susan Isaacs reports back from ‘Generations: A History of Black Abstract Art’ at the Baltimore Museum of Art, which closes on January 19, 2020.
Read MoreArtblog contributor Susan Isaacs shares her experiences with traveling to the biennales in Venice and Jerusalem.
Read MoreSusan Isaacs visits The Walters Art Museum Baltimore and reviews “Roberto Lugo at 1 West.”
Read MoreSusan Isaac visits the ‘5 into 1’ exhibit and sees multidisciplinary art by graduate artists from 5 local art programs.
Read MoreSusan Isaacs says the anxiety present in the works in “Monsters and Myths: Surrealism and War in the 1930s and 1940s” at the Baltimore Museum of Art speaks to our times.
Read MoreGuest writer Susan Isaacs, a noted art historian, curator and educator, writes of a show of abstract sculpture curated by Alexis Granwell at PAFA. Isaacs speaks with Granwell about the exhibit, her curating and her art practice and says the exhibition of abstract works engages through its sensual materiality.
Read MoreHELLO!
Sign up to receive Artblog’s weekly updates and monthly Our Picks sent directly to your inbox.