Recent UArts graduate Heet Lee had her first solo museum show in Leipzig, Germany earlier this month and Artblog correspondent Olivia Jia, who visited her friend’s exhibition, tells us about it. Lee’s energetic and aggressive compositions draw imagery from a dizzying array of sources, both public and private.
Read MoreWill language go on if and when we do not? How does one speak of the future in a doomed world? Here Levi Bentley reviews a new book of poetry by Cynthia Arrieu-King that ponders these questions and many more. Out December 14, 2018 from Radiator Press (Philly’s newest poetry press) “Futureless Languages” is rooted in close observation of our trying times. Read on and pick up the book for yourself this Friday!
Read MoreLike many local artists, Janyce Glasper treks up to New York every now and again to see what’s new. Here she fills us in on the latest from Nina Chanel Abney, who has just started translating the aesthetic of her politically-charged collage paintings into monoprints. If your plans take you to the big(ger) city, you can view Abney’s powerful, ambiguous work for yourself at Pace Prints through December 15, 2018.
Read MoreWhen an under-appreciated woman artist finally gets her due, you know Artblog will be there to cover it! Here Andrea Kirsh tips her hat to the Barnes Foundation and their major retrospective of Berthe Morisot, on view through January 14, 2019. Morisot, who was one of a small number of female artists at the epicenter of the Impressionist movement, was also a true pioneer of form and technique.
Read MoreImani reviews Poorly Watched Girls, a series of multi-media environments created by Suzanne Bocanegra at the Fabric Workshop and Museum. This complex body of work, in turns mournful and playful, will be up through February 17, 2019.
Read MoreIn Part 2 of Andrea Kirsh’s annual roundup of the best in art books, there is something for everyone on your holiday gift list from lovers of figurative painting to abstract sculpture fans. There’s also something for everyone to learn, whether it’s about a previously under-appreciated regional artist or the most famous self-promoter in the history of Modern Art.
Read MoreDeb Krieger takes an early tour of The Complicit Eye, lauded ceramicist Kukuli Velarde’s first major solo show of paintings in Philadelphia. This provocative body of work, on view at Taller Puertorriqueño through April 30, 2019, reveals Velarde’s long-standing use of self-portraiture as a mode of intersectional feminist critique.
Read MoreFor over a decade, Massachusetts-based artist, Gina Siepel has been using woodworking and other craft techniques to grapple with the myth of self-reliance and its relationship to both gender and nationalism. Here Levi Bentley speaks with Siepel about “Self-Made,” her current installation of objects, video and documents at Vox Populi, and pens a thoughtful response to the exhibition’s central themes. We can’t recommend this show enough, so read on and catch it before it closes on December 16, 2018.
Read MoreAs we grapple with harrowing images emerging daily from California’s still-raging wildfires, Michael Lieberman turns his attentions towards a local exhibition which addresses humanity’s devastating impact on the land. Not only does “Nature’s Nation — American Art and Environment,” on view through January 6, 2019 at the Princeton University Art Museum, look back at how the visual arts have historically shaped Americans’ understanding of our environment, but it also explores how artists can impact the current climate crisis.
Read MoreOlivia Jia doesn’t just write about art, she is also a painter in her own right who is deeply curious about the fate of contemporary painting and its potential to tell new stories. Here she tells us about a painter and University of the Arts alum, Stephen W. Evans, whose works confound the deeply-rooted nationalism of the American landscape tradition. If there was ever a time to rethink our relationship to history and the land, that time is now!
Read MoreAndrea Kirsh pens an appreciation of Make Me a Summary of the World, Indian-American artist Rina Banerjee’s solo show currently up at the Pennsylvania Academy of Fine Art. Densely layered in materials and meaning, this exhibition addresses the legacy of colonialism and the transnational nature of the contemporary art world through sensuous textures and bright colors. Rina Banerjee: Make Me a Summary of the World is on view through March 31, 2019.
Read MoreJanyce Glasper offers a poetic reflection of John Dowell’s current exhibition at the African American Museum of Philadelphia, Cotton: The Soft, Dangerous Beauty of the Past. On view through January 21, 2019, this installation of large-scale prints and medium-format digital collages explores slavery, not as a particularly southern phenomenon, but as an institution that haunts our nation from Alabama from Wall Street. What’s more, Dowell uses the symbolic force of cotton to carve out a space for personal reflection and collective celebration.
Read MoreArtblog’s newest contributor is our Content Manager, Morgan Nitz! Here she visits The Edge of Precarity, a group show which opened October 27 at Little Berlin and which takes on the value of creative labor and the struggle to stay afloat in our post-recession economy.
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