Andrea Kirsh reviews Maya Stovall’s “Liquor Store Theatre” and Rotland Press Original, “The N-Word; Paintings by Peter Williams,” art books that examine racism and systemic inequality in Detroit and beyond.
Read MoreThe new book, Hotel Chelsea: Living in the Last Bohemian Haven by Colin Miller and Ray Mock tells of current residents and their struggle with the Hotel’s developer-owners and explores the history of this artistic incubator-cum-living space.
Read MoreNaveena reviews Timothy C. Winegard’s book “The Mosquito: A Human History of Our Deadliest Predator,” which explains how mosquitos have affected both health and history.
Read MoreMichael Lieberman reviews Pulitzer Prize winner Inga Saffron’s ‘Becoming Philadelphia.’ The book, a selection of the architecture critic’s Inquirer articles from the past 20 years, tells an intricate story about Philly’s 10 year tax abatement and construction boom– both its part in revitalizing the city, and its part in harmful gentrification and increased inequality.
Read MoreMichael Lieberman virtually tours Rowan University Art Gallery’s “Tracing Origins,” artwork by Colette Fu, Claes Gabriel, and Hiro Sakaguchi.
Read MoreAt a time of deep isolation like ours, letter writing offers a breakthrough to a special closeness as shown in the book “Artists’ Letters: Leonardo da Vinci to David Hockney.”
Read MoreKinaya Hassane shares the experience of witnessing Patricia Renee’ Thomas’s solo gallery show, “Grapejuice,” at Kapp Kapp Gallery, which will be extended once the lockdown is lifted.
Read MoreSusan Isaacs reviews Stavy Levy’s exhibition Collected Watershed, which is currently installed at the Center for the Arts Gallery at Towson University. Though the gallery is currently closed due to COVID-19, the show’s end date has been extended to April 25, 2020, and the show is presumed to re-open before then.
Read MoreMicheal Liberman reviews Michele Kishita’s “Absent Futures,” a show of landscape paintings made with a traditional wood burning technique, on view at Central Tattoo Studio and Gallery until March 29, 2020.
Read MoreKinaya Hassane reviews Acori Honzo’s latest exhibition at Cherry Street Pier: This is Our Story, closing Saturday, March 7th.
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