Museums

December 16, 2019 by Alex Smith

A look into many futures at the Philadelphia Museum of Art

Alex Smith, reports back from the new Designs for Different Futures exhibition at the Philadelphia Museum of Art, on display until March 8th, 2020.

December 13, 2019 by Beth Heinly

CW, I read Camile Paglia

Beth Heinly answers a question about harmful art. Click over to read Beth’s stance on cancel culture (and more).

December 9, 2019 by Susan Isaacs

Black abstract art takes center stage in ‘Generations’ at Baltimore Museum of Art

Artblog contributor Susan Isaacs reports back from ‘Generations: A History of Black Abstract Art’ at the Baltimore Museum of Art, which closes on January 19, 2020.

September 27, 2019 by Alex Smith

Celebrating Women in Black and Brown punk and heavy metal, it’s #Blkgrlswurld Punk Fest and Zine Fair at Philadelphia’s ICA

Alex Smith interviews one of the founders of #Blkgrlswurld about their upcoming Punk Fest and Zine Fair celebrating women of color in heavy metal and punk music scenes.

September 19, 2019 by Janyce Denise Glasper

Arts of Global Africa at the Newark Museum, excellent contemporary art by artists of the African Diaspora

Janyce Denise Glasper sees an exhibit at the Newark Museum that showcases the excellence of art made by contemporary artists of the African diaspora.

September 11, 2019 by Beth Heinly

Protesting, Posturing, and the Forgotten Artist

In this edition of Ask Artblog, Beth Heinly answers a question about the difference between protest and posture in relation to this year’s Whitney Biennial and the forced resignation of Warren Kanders from the Whitney Museum Board.

September 4, 2019 by Andrea Kirsh

I Remember MoMA

As we await The Museum of Modern Art’s newest expansion, Andrea Kirsh reflects on her experience visiting MoMA over the past fifty years— during which time she has witnessed two other building expansions. MoMA will re-open on October 21, 2019.

July 31, 2019 by Natalie Sandstrom

Three Philadelphia museum curators discuss Bill Viola’s moving new media works, in panel at Barnes Foundation

Artblog contributor Natalie Sandstrom attends a program at The Barnes Foundation about the life and work of Bill Viola, whose videos are now on view at the Barnes, Pennsylvania Academy of the Fine Arts and the Fabric Workshop and Museum.

July 26, 2019 by Andrea Kirsh

New Chinese Galleries at Philadelphia Museum of Art thoughtfully rearranged, accessible and educational

Andrea Kirsh visits the New Chinese Galleries at the Philadelphia Museum of Art. Kirsh says the newly re-arranged exhibit is educational, aesthetically pleasing, and able to appeal to every type of museum guest.

July 12, 2019 by Susan Isaacs

Activist and ceramicist Roberto Lugo’s striking political installation at The Walters Museum

Susan Isaacs visits The Walters Art Museum Baltimore and reviews “Roberto Lugo at 1 West.”

July 1, 2019 by Matt Singer

‘Phantom Frequencies’ at Wheaton Art Center, Martha McDonald and Laura Baird’s Victorian parlor piece

Matt Singer visits Wheaton Arts to experience an enchanting musical and artistic performance, “Phantom Frequencies” by collaborators Martha McDonald and Laura Baird.

June 16, 2019 by Janyce Denise Glasper

Vital works by Augusta Savage, Harlem Renaissance hero, at New York Historical Society

Janyce Denise Glasper visits “Augusta Savage: Renaissance Woman” at the New York Historical Society and experiences why this important female figure of the Harlem Renaissance is a hero to herself and others.

May 2, 2019 by Sarah Kim

Do Ho Suh stitches time, identity and memory in The Perfect Home II at the Brooklyn Museum

Sarah Kim reviews Korean artist Do Ho Suh’s ghostly “The Perfect Home II,” (2003) a gauzy translucent stitched fabric recreation of his one-time apartment in Chelsea.

April 28, 2019 by Susan Isaacs

Surrealist anxiety about war, dictators and refugees in ‘Monsters and Myths’ at Baltimore Museum of Art is topical today

Susan Isaacs says the anxiety present in the works in “Monsters and Myths: Surrealism and War in the 1930s and 1940s” at the Baltimore Museum of Art speaks to our times.