Beth Heinly answers a question about harmful art. Click over to read Beth’s stance on cancel culture (and more).
Read MoreArtblog contributor Susan Isaacs reports back from ‘Generations: A History of Black Abstract Art’ at the Baltimore Museum of Art, which closes on January 19, 2020.
Read MoreAlex Smith interviews one of the founders of #Blkgrlswurld about their upcoming Punk Fest and Zine Fair celebrating women of color in heavy metal and punk music scenes.
Read MoreIn this edition of Ask Artblog, Beth Heinly answers a question about the difference between protest and posture in relation to this year’s Whitney Biennial and the forced resignation of Warren Kanders from the Whitney Museum Board.
Read MoreAs we await The Museum of Modern Art’s newest expansion, Andrea Kirsh reflects on her experience visiting MoMA over the past fifty years— during which time she has witnessed two other building expansions. MoMA will re-open on October 21, 2019.
Read MoreArtblog contributor Natalie Sandstrom attends a program at The Barnes Foundation about the life and work of Bill Viola, whose videos are now on view at the Barnes, Pennsylvania Academy of the Fine Arts and the Fabric Workshop and Museum.
Read MoreAndrea Kirsh visits the New Chinese Galleries at the Philadelphia Museum of Art. Kirsh says the newly re-arranged exhibit is educational, aesthetically pleasing, and able to appeal to every type of museum guest.
Read MoreSusan Isaacs visits The Walters Art Museum Baltimore and reviews “Roberto Lugo at 1 West.”
Read MoreMatt Singer visits Wheaton Arts to experience an enchanting musical and artistic performance, “Phantom Frequencies” by collaborators Martha McDonald and Laura Baird.
Read MoreJanyce Denise Glasper visits “Augusta Savage: Renaissance Woman” at the New York Historical Society and experiences why this important female figure of the Harlem Renaissance is a hero to herself and others.
Read MoreSarah Kim reviews Korean artist Do Ho Suh’s ghostly “The Perfect Home II,” (2003) a gauzy translucent stitched fabric recreation of his one-time apartment in Chelsea.
Read MoreSusan Isaacs says the anxiety present in the works in “Monsters and Myths: Surrealism and War in the 1930s and 1940s” at the Baltimore Museum of Art speaks to our times.
Read MoreLacy Murphy talks Anthony Gormley’s “STAND” (on display at the Pennsylvania Museum of Art until June 24, 2019) and the role of public art.
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Support for Artblog has been provided by The Philadelphia Cultural Fund.