Matt Ziemke’s Cadillac Desert at Napoleon (to Nov. 25) examines the relationship between humans and the built environment, with our greener natural counterparts. Unlike many ecologically-motivated artists, Ziemke discusses this built environment/nature juxtaposition — perhaps questions it — but does so exceedingly gently and remains surprisingly and thoughtfully neutral. Bodies of water seem to be the focus in the beautifully crafted subtle sculptures, which combine bits of what looks like disassembled geography and delicate sprawling architectural forms. In keeping with the subject matter, the works are made of earthen and manufactured materials. Of the five works that compose “Cadillac Desert,” two ... More » »