[Andrea comments on a large exhibition of contemporary performance art by African-American artists, finding both the show’s performances and accompanying catalog well-curated and memorable. For more information on individual artists, please see Radical Presence: Black Performance in Contemporary Art, Valerie Cassel Oliver, ed. (Contemporary Art Museum, Houston; 2013), ISBN 978 -1-933619-38-5 –the artblog editors] In New York, the exhibition Radical Presence: Black Performance in Contemporary Art was split between the Grey Art Gallery at NYU (from Sept. 10 – Dec. 7, 2013) and the Studio Museum in Harlem, where it remains on view until March 9, 2014. It does a particularly good ... More » »
(Sam’s sees work inspired by crime, criminality and the grip that violence has on our imaginations in a show at Arcadia University Art Gallery.–the artblog editors) No Bingo for Felons at Arcadia University explores the parallels between artistic acts and legal transgression. Guest curated by Julian Hoeber and Alix Lambert, the exhibit includes portrayals of guns, bombs, police officers and crime scenes. With works by Honore Daumier, Yoko Ono, Zoe Strauss, and Dirk Skreber, among many others, the show takes a satirical perspective towards the legal system and forms of authority. But it is unclear whether this show ever answers it’s proposed ... More » »
It’s the Political Economy, Stupid is an exhibition of work by ten artists or collectives, at the Austrian Cultural Forum through April 22, 2012. Curated by Oliver Ressler and Gregory Sholette, this is a smart exhibition that I suspect will be preaching to the converted, but in style. By means of a slide show, sculptural installation, wall drawing, and numerous, single-channel videos, the international group of artists address the politics of our current economic crisis. This is the gallery version of Occupy Wall Street. Dred Scott literalized the metaphor of money to burn by asking volunteers on Wall Street to ... More » »
I ran into Dread Scott in New York, which is how I learned that he’d done a work for Philadelphia’s Mural Arts Program. Dread Scott and Mural Arts? Scott describes himself as making revolutionary art to propel history forward.