I’ve been thinking for a while about Lobby Art – art in museum lobbies, that is. Not all museums feature Lobby Art; for some, such as the Guggenheim, the Philadelphia Museum of Art or the Art Institute of Chicago, the architecture suffices to create an ambiance for the entry areas, although certain artists, notably Jenny Holzer and Rebecca Horn, have taken on the Guggenheim’s central void to spectacular effect, and one might consider the Tate Modern’s Turbine Hall as the apotheosis of artist project lobbies.
The only thing dull about The Robert and Jane Meyerhoff Collection at the National Gallery of Art: Selected Works (NGA) through May 2, 2010 is the exhibition title. I’d rather call it, with apologies to Wallace Stevens, Ten Ways of Looking at a Painting, with further apologies for the handful of drawings, prints and 3-dimensional works; it is overwhelmingly a paintings exhibition. The works, some already donated, the remainder promised to the NGA, are superb and the curatorial decisions intelligent, provocative and subtle. Harry Cooper, curator of modern and contemporary art, arranged ten sections, each labeled with a subject to ... More » »
Yale University School of Art Dean, Robert Storr. Thanks China Culture for the picture. We were interested to hear Yale Dean and curator Robert Storr on abstract art, part of a series of 3 lectures at the Met. The series seems to be about contextualizing up-and-coming artists in the canon. Here’s who was under discussion last Saturday: (in the canon already)– Ellsworth Kelly, Sol LeWitt, Robert Ryman, Jasper Johns, and Gerhard Richter—and (not there yet but Storr wants to put them in) — Odili Donald Odita, Tom Nozkowski, Mary Heilmann, El Anatsui and Ron Gorchov. Many of the examples Storr used ... More » »
This is the third and last of my Chicago posts. Here are the the first post and the second one. I suppose it’s silly to write a post that says the Art Institute of Chicago is a great museum. But that’s what I’m going to do. Here’s a picture of the Beaux Arts building that houses it, completed the year of the Chicago World’s Fair (1893). And to think, if not for the beastly hot weather, I might have missed the place. But on our last day, we needed someplace to go that was indoors and cool. Ellsworth paintings surrounded ... More » »