I decided to take it easy at the fairs this year, assuming that, as with large conferences, I’d certainly discover interesting work but was unlikely to predict ahead of time just where I’d find it. One obvious new feature of Art Basel/Miami Beach this year was the prominence of furniture. Some of it was part of the work on display, such as Dan Peterman‘s Running Tables at Klosterfelde, Berlin, despite the fact that the staff were sitting on the built-in seats to eat their lunch; I assume his recycled plastics can handle the wear.
Spring has filled the Meltem Birey Gallery in the form of Jerry Mischak’s brightly colored, playful sculptures. Imaginary Solutions, which runs through May 3, uses a combination of consumer materials and urban debris, including small pieces of electronics.
Steve and I and Cate covered a lot of territory last weekend in New York. We were up and down and crosstown and back. It was fun and glorious weather and we walked and walked. Here’s a few pictures and notes about what we saw. More photos at flickr. Public Art Lever House
Installation of Mary Heilmann: To Be Someone; all photos courtesy of The New Museum. I’ve been thinking about how we interact with art, prompted by yesterday’s visit to Mary Heilmann: To Be Someone at the New Museum (through January 26, 2009; it was organized by Elizabeth Armstrong of the Orange County Museum of Art). The exhibition includes not only the paintings for which Heilmann is known and a number of ceramics (reflecting her initial training) but also a number of the artist’s chairs: plywood cubes not unlike Donald Judd’s chairs (well, sufficiently unlike to be his worst nightmare; these have ... More » »