Annette Monnier aces the serve in her essay on the Ryan Trecartin show at PS1 in her blog One Review A Month. She also back-hands volleys at Jackson Pollock, not to mention at Lyonel Feininger and at Cory Arcangel both at the Whitney. See who emerges the winner. Game, set, match.
Since the King of Pop died, I’ve been catching up on my Michael Jackson video watching. The ones that really grab me are Thriller and Beat It which aspire to be short movies and pretty much are. Jackon’s dancing is remarkable to watch of course. But his dance moves take on even greater visual energy and emotion when he’s backed up by a dance troupe mimicking him and amplifying the movements. It’s then that the quick-stepping, twitching, pirouetting and hip popping becomes one big satisfying wave of movement.
Jackson Pollock, Totem Lesson 2, 1945, oil on canvas. National Gallery of Australia, Canberra, Purchased 1986. © The Pollock-Krasner Foundation/Artists Rights Society (ARS), New York. Action/Abstraction: Pollock, De Kooning and American Art, 1940-1976 at the Jewish Museum through September 21, 2008 is interesting for its contents and its ambitions; it will appeal to viewers with knowledge of Abstract Expressionism and its impact on artists of the next generation as well as anyone with a serious interest in how art worlds function, at least in one striking example. This is not an introduction to Abstract Expressionism nor even to art in ... More » »